3,402 research outputs found
Apocotropes, Dutton and Peacock, The Dog and Duck, Dutton and Swindells
No full textThe article focuses on the relationship between the documentation of an art work and the art work itself by citing two projects by the artists Steve Dutton and Steve Swindells. The article suggests that the artists were attempting to blur
the relationships between the work of art and its documentation by creating both simultaneously
Steve Dutton, Percy Peacock, Steve Swindells : Entropic Gym
No full textIn the pamphlet for their exhibition with Peacock, Dutton and Swindells describe a performance where they visited castles in England and threw texts from the ramparts. Cheung argues that the operation of their installation remains incomplete without a viewer to re-experience it. Biographical notes
Old car arrives at the Town Hall
No full textOld car, 1929 Talbot, arrives at the Town Hall. The two drivers are both sons of Harry Dutton: J.H. Dutton (L) and G.P.H. Dutton (R)Lorman, Steve
Old car arrives at the Town Hall
No full textOld car, 1929 Talbot, arrives at the Town Hall. The two drivers are both sons of Harry Dutton: J.H. Dutton and G.P.H. Dutton.Lorman, Steve
Old car arrives at the Town Hall
No full textOld car, 1929 Talbot, arrives at the Town Hall. The two drivers are both sons of Harry Dutton: J.H. Dutton and G.P.H. Dutton.Lorman, Steve
Promoting Your Work in the Visual Arts
No full textSteve Dutton explains how to promote your works as a visual artist. Produced by East Midlands Research group as open educational resourc
The Biennial's radical heart
No full textSteve Dutton reflects on the exhausted Biennial model and gives his account of how curators are finding ways to overcome this syndrome.Specifically he looks at the Contemporary Art Biennials Taipei 2010 and Guangju 2010</p
The Biennial's radical heart
No full textSteve Dutton reflects on the exhausted Biennial model and gives his account of how curators are finding ways to overcome this syndrome.Specifically he looks at the Contemporary Art Biennials Taipei 2010 and Guangju 2010</p
Writing Encounters: ‘Institute of Beasts’ (2008)
No full textIn 1998 Steve Dutton and Steve Swindells formed the artist collaboration Dutton and Swindells. In 2008 they completed a three-month artist residency programme at Ssamzie Space, Seoul, South Korea. During the residency the artists founded the Institute of Beasts by introducing live animals into the studio as members of a faculty; to suggest new readings of the work but also as a strategy to potentially generate art as a form of encounter in which different compulsions or pathologies pull in various ways but equally live together in a frame or scenario in much the same way as practice can exist as performance, text and as object. An interesting aspect of having an animal(s) in the studio is the unpredictable nature of what happens to the work when it becomes a perch, a hutch or a burrow and what happens to the artist's practice when they share a space with other animal(s). This article and accompanying images form a written/visual extension to a presentation they delivered at Writing Encounters, York St John University, 1113 September 2008
RoMEO Studies 6: Rights metadata for open-archiving
No full textThis is the final study in a series of six emanating from the UK JISC-funded RoMEO Project (Rights Metadata for Open-archiving) which investigated the Intellectual Property Rights (IPR) issues relating to academic author self-archiving of research papers. It reports the results of a survey of 542 academic authors showing the level of protection required for their open-access research papers. It then describes the selection of an appropriate means of expressing those rights through metadata and the resulting choice of Creative Commons licences. Finally it outlines proposals for communicating rights metadata via the Open Archives Initiative’s Protocol for Metadata Harvesting (OAI-PMH)
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