1,721,049 research outputs found
Border Country.
An exhibition tackling the plight of migrants and asylum seekers held in detention
On the Use of Comedy in Art as a Form of Social Critique.
Working collaboratively as part of the artists’ group Common Culture (since 1996) comedy has become important in our exploration of national and regional identities, as well as enabling us to address the problems arising when we have been commissioned to make art intended to socially engage with specific local communities. The session will introduce our involvement with comedy in terms of both our artistic practice and our current curatorial work for a 2016 show addressing Deadpan traditions of comedy in art from Marcel Duchamp to the present.
David Campbell and Mark Durden, together with Ian Brown, work collaboratively as Common Culture. Durden is Professor of Photography at University of South Wales and Campbell is Professor of Fine Art at Northumbria University. Campbell and Durden co-authored Variable Capital (Liverpool University Press, 2007) and are currently preparing a major curated exhibition to take place at both Bluecoat, Liverpool and the MAC Belfast in Spring 2016, Double Act: Art and Comedy
Photography Today
Author Mark Durden
A comprehensive and much-needed survey of the last 50 years of photography, charting its path from method of documentation to art for
This major new survey of contemporary photography considers the work of more than 80 photographers through eleven thematic chapters on subjects such as street photography, portraiture, landscape photography and documentary. It traces the development of photography as an art form in each of these genres individually and also looks at the ties and links between them. What is revealed is a complex story with numerous tangents. Mark Durden's narrative, combined with rich illustrative content and an easily accessible design, guides a clear path through this story, showcasing the work of great individual photographers while also being able to place this into the larger narrative of the medium's development
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Wright Morris
A clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include:
•Roland Barthes
•Susan Sontag
•Jacques Derrida
•Henri Cartier-Bresson
•Geoffrey Batchen
Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide
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