6,227 research outputs found
Measuring and analyzing German and Spanish customer satisfaction of using the iPhone 4S Mobile Cloud service
No full textThis paper presents the customer satisfaction analysis for measuring popularity in the Mobile Cloud, which is an emerging area in the Cloud and Big Data Computing. Organizational Sustainability Modeling (OSM) is the proposed method used in this research. The twelve-month of German and Spanish consumer data are used for the analysis to investigate the return and risk status associated with the ratings of customer satisfaction in the iPhone 4S Mobile Cloud services. Results show that there is a decline in the satisfaction ratings in Germany and Spain due to economic downturn and competitions in the market, which support our hypothesis. Key outputs have been explained and they confirm that all analysis and interpretations fulfill the criteria for OSM. The use of statistical and visualization method proposed by OSM can expose unexploited data and allows the stakeholders to understand the status of return and risk of their Cloud strategies easier than the use of other data analysis
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A Norwegian grey zone: Knut Rød, Victor Lind and 'The crucial year, 1942'
No full textThis article uses Primo Levi’s concept of “the grey zone” to explore Knut Rød’s involvement in the transfer of 532 Norwegian Jews from Oslo to Auschwitz in 1942. Rød, the police chief in charge of the operation, was subsequently exonerated of any crime on the grounds that he had simultaneously used his position to help members of Milorg – the Norwegian Resistance. The legal and moral basis of this verdict has been questioned by the artist Victor Lind in a series of artworks, including his “countermonument” The Perpetrator (2005)
Victor Hugo e Duque de Rivas: a estreia do romantismo nos palcos da França e Espanha
No full textAround the year 1810 Nikolaus Böhl von Faber was the first to spread inSpain the ideas brought about by the Romantic Movement. His articles gaverise to decades of disputes very much the same as it happened in France,where Victor Hugo’s Preface to Cromwell (1827) and the première of Hernani(1830) caused serious disputes about esthetic matters, and marked the finalvictory of Romanticism. In Spain such quarrels were stirred up by Duque deRivas’ play Don Alvaro o la fuerza del sino (1835). The paper begins with abrief account of the controversy over different esthetic thoughts associatedwith Don Alvaro, and proceeds to the analysis of the play with regard toHugo’s ideas.Por volta de 1810 chegaram à Espanha os primeiros ventos românticos (JohannNikolaus Böhl von Faber), seguidos de décadas de polêmicas e disputas. NaFrança, o prefácio de Cromwell (1827) e a encenação de Hernani (1830), deVictor Hugo, foram palcos de batalhas decisivas para a vitória do Romantismo;na Espanha, isso se deu com a peça Don Alvaro o la fuerza del sino (1835),escrita por Duque de Rivas. Partindo de um breve levantamento sobre acontrovérsia entre diferentes princípios estéticos e sobre o acalorado debateque cercou a estreia de Don Alvaro, o trabalho irá deter-se, em seguida, emuma leitura da peça à luz dos pressupostos defendidos por Victor Hugo
Victor Hugo e Duque de Rivas: a estreia do romantismo nos palcos da França e Espanha
No full textAround the year 1810 Nikolaus Böhl von Faber was the first to spread inSpain the ideas brought about by the Romantic Movement. His articles gaverise to decades of disputes very much the same as it happened in France,where Victor Hugo’s Preface to Cromwell (1827) and the première of Hernani(1830) caused serious disputes about esthetic matters, and marked the finalvictory of Romanticism. In Spain such quarrels were stirred up by Duque deRivas’ play Don Alvaro o la fuerza del sino (1835). The paper begins with abrief account of the controversy over different esthetic thoughts associatedwith Don Alvaro, and proceeds to the analysis of the play with regard toHugo’s ideas.Por volta de 1810 chegaram à Espanha os primeiros ventos românticos (JohannNikolaus Böhl von Faber), seguidos de décadas de polêmicas e disputas. NaFrança, o prefácio de Cromwell (1827) e a encenação de Hernani (1830), deVictor Hugo, foram palcos de batalhas decisivas para a vitória do Romantismo;na Espanha, isso se deu com a peça Don Alvaro o la fuerza del sino (1835),escrita por Duque de Rivas. Partindo de um breve levantamento sobre acontrovérsia entre diferentes princípios estéticos e sobre o acalorado debateque cercou a estreia de Don Alvaro, o trabalho irá deter-se, em seguida, emuma leitura da peça à luz dos pressupostos defendidos por Victor Hugo
Victor LaValle
No full textVictor LaValle is the author of the short story collection Slapboxing with Jesus, four novels, The Ecstatic, Big Machine, The Devil in Silver, and The Changeling and two novellas, Lucretia and the Kroons and The Ballad of Black Tom. He is also the creator and writer of a comic book Victor LaValle’s DESTROYER. He has been the recipient of numerous awards including a Whiting Writers’ Award, a United States Artists Ford Fellowship, a Guggenheim Fellowship, a Shirley Jackson Award, an American Book Award, and the key to Southeast Queens. He was raised in Queens, New York. He now lives in Washington Heights with his wife and kids. He teaches at Columbia University. The free, public program begins at 6:00 p.m. at Burns Belfry.https://egrove.olemiss.edu/grisham_vis/1002/thumbnail.jp
Monumento à Duque de Caxias (Escultura)
No full textMonumento ao duque de Caxias.1960. Bronze / 15,88m x 4,10m x 13,20m. Praça Princesa Isabel, Campos Elíseos. O Monumento, com quarenta e um metros de altura, apresenta quatro painéis compostos por grupos de esculturas, que ilustram as campanhas militares, nas quais o homenageado participou heroicamente. Luís Alves de Lima e Silva(1803-1880), o Duque de Caxias, militar e estadista brasileiro, atuou nas lutas da Guerra do Paraguai, comandando as forças brasileiras e os exércitos da Tríplice Aliança
Monumento à Duque de Caxias (Relevos)
No full textMonumento ao duque de Caxias.
1960. Bronze / 15,88m x 4,10m x 13,20m. Praça Princesa Isabel, Campos Elíseos. O Monumento, com quarenta e um metros de altura, apresenta quatro painéis compostos por grupos de esculturas, que ilustram as campanhas militares, nas quais o homenageado participou heroicamente. Luís Alves de Lima e Silva(1803-1880), o Duque de Caxias, militar e estadista brasileiro, atuou nas lutas da Guerra do Paraguai, comandando as forças brasileiras e os exércitos da Tríplice Aliança
Monumento à Duque de Caxias (Escultura)
No full textMonumento ao duque de Caxias.1960. Bronze / 15,88m x 4,10m x 13,20m. Praça Princesa Isabel, Campos Elíseos. O Monumento, com quarenta e um metros de altura, apresenta quatro painéis compostos por grupos de esculturas, que ilustram as campanhas militares, nas quais o homenageado participou heroicamente. Luís Alves de Lima e Silva(1803-1880), o Duque de Caxias, militar e estadista brasileiro, atuou nas lutas da Guerra do Paraguai, comandando as forças brasileiras e os exércitos da Tríplice Aliança
Monumento à Duque de Caxias (Relevos)
No full textMonumento ao duque de Caxias.
1960. Bronze / 15,88m x 4,10m x 13,20m. Praça Princesa Isabel, Campos Elíseos. O Monumento, com quarenta e um metros de altura, apresenta quatro painéis compostos por grupos de esculturas, que ilustram as campanhas militares, nas quais o homenageado participou heroicamente. Luís Alves de Lima e Silva(1803-1880), o Duque de Caxias, militar e estadista brasileiro, atuou nas lutas da Guerra do Paraguai, comandando as forças brasileiras e os exércitos da Tríplice Aliança
[Diary Entry for Saturday, April 13, 1940]
No full textThis page is part of a diary by Sir Ellice Victor Elias Sassoon. He wrote that he slept a lot and read a book about the Burma Road for which the author got the idea at his garden party in 1937. He then said he went to bed at 8 and that Edna came in to ask how he was
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