1,720,964 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
The Voices of A Tempest | Act III: You Make Me Feel (Somerset House Studios)
No full textThe Voices of A Tempest | Act III: You Make Me Feel was the final event in a three-part programme of readings, screenings, performances, and discussions accompanying the exhibition The Voices of A Tempest (curated by A—Z) at Somerset House Studios’ Gallery 31. Marking the close of the exhibition, the event foregrounded affect, desire, and resilience, with contributions from Peter Spanjer, Jennifer Martin, Josh Woolford, and Tarek Lakhrissi.
As part of this programme, Chooc Ly Tan delivered a live sound performance employing DJ methodologies as a mode of practice-led research. Drawing on her ongoing exploration of speculative worldbuilding and sonic assemblage, the performance subverted conventional music forms to interrogate politics of affect, diasporic futurities, and alternative modes of resistance. By situating DJ practice within a wider curatorial framework of fictional activism and collective resilience, the work expanded the exhibition’s research enquiry into how sound, storytelling, and live performance can articulate new imaginaries beyond dominant structures of knowledge
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
FOREST COSMOS
No full textFOREST is the first part of The Earth Is Speaking, a research-led AV series exploring ecology, intergenerational trauma, and non-anthropocentric perspectives through speculative storytelling and sonic experimentation. The work combines 3D animation, field recordings, and original sound composition to imagine futures shaped by holistic relationships with nature, drawing on anticolonial, intersectional ecofeminist, and Indigenous approaches. Planned public presentation includes expanded cinema screenings and live AV performances, with confirmed participation at PAF 24th Festival of Film Animation and Contemporary Art (Olomouc, Czech Republic, 2-4 December 2025). This output forms part of a sustained practice-led enquiry connecting to Décalé, the artist-led platform co-curated by the researcher, fostering marginalised voices across sound, performance, poetry, and moving image.
Description of the film:
Description:
FOREST COSMOS is a speculative 3D animation set in the near future. It follows a Vietnamese mantis and a human with living sea anemone hair as they move through a rainforest of eye-popping botany. The story explores natural phenomena such as symbiosis, crypsis, and bioluminescence, alongside themes of ongoing colonial exploitation and memory.
The film drifts between the microscopic and the cosmic, questioning how nonhuman beings might perceive time and space.
> Symbiosis means forms of mutual relationship or cooperation between different species, like when organisms depend on one another to survive.
> Crypsis is the ability to blend in with the environment — camouflage or invisibility as a survival strategy.
An EP of the score will be released next year 2026 on the Chinabot label.
with the support from the Art Department Research, Goldsmiths university
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