1,721,085 research outputs found
On the Legal Lives of Hollywood
No full textChapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international exhibition, contracts, labour and tax. Drawing on historical and contemporary case studies, Hollywood and the La
Talent Contracts in Hollywood
Full text linkChapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international exhibition, contracts, labour and tax. Drawing on historical and contemporary case studies, Hollywood and the La
Reconceptualizing Screen Performance
No full textThe article presents the author's views on ways in which the viewers think and analyze screen performance. According to the author, conceptualizing the performance involves not only reading actors' performances, but also a wider consideration of philosophy of the film. To scrutinize the peculiarity of performance, the author has put some fundamental questions concerning ontology and epistemology.div_MCaPAAuslander, Philip. Just Be Your Self: Logocentrism and Difference in Performance Theory. Acting (Re)Considered: Theories and Practices. Ed. Phillip B. Zarilli. London: Routledge, 1995.
Baron, Cynthia, Diane Carson, and Frank P. Tomasulo, eds. More than a Method: Trends and Traditions in Contemporary Film Performance. Detroit: Wayne State UP, 2004.
Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. illuminations. Trans. Hannah Arendt. London: Fontana, 1973.
Blum, Richard A. American Film Acting: The Stanislavski Heritage. Ann Arbor: UMI, 1984.
Brewster, Ben. The Fundamental Reproach: Bertolt Brecht and the Cinema. Explorations in Film Theory. Ed. Ron Burnett. Bloomington: Indiana UP, 1991.
Caine, Michael. Acting in Film: An Actor's Take on Movie Acting. London: Applause, 1997.
Cole, Toby and Helen Krich Chinoy, Actors on Acting. New York: Crown, 1949.
Drake, Philip. Low Blows? Theorizing Performance in Postclassical Comedian Comedy. Hollywood Comedians: The Film Reader. Ed. Frank Krutnik. London: Routledge. 2003 187-98.
Goffman, Erving. The Presentation of Self in Everyday Life. Middlesex: Penguin, 1969.
-----. Frame Analysis. Boston: Northeastern UP, 1974.
Harrop, John. Acting. London: Routledge, 1992.
Heath, Stephen. Body, Voice. Questions of Cinema. London: Macmillan, 1981.
Jenkins, Henry. What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic. New York: Columbia UP, 1992.
King, Barry. The Star and the Commodity: Notes towards a Performance Theory of Stardom. Cultural Studies 1.2 (1987): 145-61.
Kuleshov, Lev. Kuleshov on Film. Trans. Ronald Levaco. Berkeley: U of California P. 1974.
Laclau, Emesto. Politics and Ideology in Marxist Theory. London: Verso, 1977.
Lovell, Alan and Peter Kramer, eds. Screen Acting. London: Routledge, 1999.
Naremore, lames. Acting in the Cinema. Berkeley: U of California P, 1988.
Pearson, Roberta. Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films. Berkeley: U of California P, 1992.
Schechner, Richard. Between Theater and Anthropology. Philadelphia: U of Pennsylvania P, 1985.
Stanislavski, Constantin. An Actor Prepares. Trans. Elizabeth Hapgood. London: Geoffrey Bles, 1955.
Stern, Lesley and George Kouvaros, eds. Falling for You: Essays on Cinema and Performance. Sydney: Power, 1999.
Strasberg, Lee and Evangeline Morphos. A Dream of Passion: The Development of the Method. Boston: Little Brown, 1987.
Thompson, Grahame F. Approaches to 'Performance.' Screen 26.5 (1985): 78-90.
Turner, Victor. The Anthropology of Performance. New York: PAJ, 1987.
Wojcik, Pamela Robertson, ed. Movie Acting: the Film Reader. London: Routledge, 2004.
Zucker, Carole. Figures of Light: Actors and Directors Illuminate the Art of Film Acting. New York: Plenum, 1995.58pub4851pub01-Fe
On the Legal Lives of Hollywood
No full textChapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international exhibition, contracts, labour and tax. Drawing on historical and contemporary case studies, Hollywood and the La
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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