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نوآباد کار سے مزاحمت: راشد کی نظم کے تناظر میں
No full textModern Urdu poem is different progressive and anti-colonial text, British Raj disturb the ethical social political and cultural values of Indo Pakistani society of their era. Modern poet N M Rashid represented the exploitation of human in his society with various angles. He has depicted the contemporary situation in his poetry. His first three books are real picture of his thought process about colonial and his tactics to expand Colonialism. Guman Ka mumkin, the last book of Rashid was full of philosophy and deep human resources about physical and metaphysical world. This article shows ethical, socio, political and human approach in colonial period from Rashid's poetic text
لسانی تشکیلات اور تمثال کاری کی تحریک: اشتراک و اختلاف کی کہانی
No full text“Lisani Tashkeelati Tehreek” was a prominent literary activity, which was presented by Iftekhar Jalib and other writers in early 60's. The common perception is that “Lisani Tashkeelati Tehreek” was adopted from imagist movement of Ezra pound and his friend poet’s. Imagist movement was presented in 1908 by Ezra. In this movement he claims new poetic language for modern life cycle continuing in Britain and Europe. Ezra asks English poet to avoid romantic poetry and create images of his real life. In Urdu “Lisani Tashkeelati Tehreek” claims that poetic language presented by Urdu poets is worth less. It can't create the real pictures of modern life that's why Iftekhar Jalib says that new Urdu poet should use new words, new images and brutal death pictures in his poetry. These two literary movements are different, but imagism produced some good literature in the form of poetry, but Iftekhar and his friends couldn't. This article argues about the theory of these two and try to present the real picture of both. It can help to know about the different poetical movements presented in Urdu poetry in last 50 years
نئی غزل کا شعری بیانیہ اور لسانی تشکیلات: بحوالہ ظفر اقبال
No full textZafar Iqbal is the name of a poet who reject's classical poetics of Urdu Ghazal and create new literary sensiblity. The diction of his ghazal is entirely different from traditional urdu poets. He creates his own poetic language by using new words, metaphers and smilies that make himself prominent trend-setter poet of 20th century. He is the man who makes explicit use of native language in his poetry. The diction of his ghazal is totaly different from traditional Urdu Ghazal. Many critics have already argued that the canvas made by Zafar Iqbal is not relivent to our classical traditions. Zafar iqbal is a man who creates a new world of poetry where instead of relying on traditional poetic techniques, language poets invite reader to analyze the text and participate in constructing meaning. In contrasr to classical urdu poetry. Zafar Iqbals ghzal composed of entirely modren scheme of rhymes that influence reader in a new way. The language and technique of Zafar Iqbals ghazal emphasizes the reader to participate in making meaning of poetry, simply its challenges the natural structure of poetic language. This article analyze the different moods of Zafar Iqbal ghazal by close text reading or in the frame of the movement Lisaani Tashkelat. Zafar Iqbal was also part of that particular group of poets and writters. They people feels to explore new language for Poetry and Fiction. Our article tries to calculate the collective impact of Zafar Iqbals ghazal among urdu poetry. It also analyses the poetic diction and socio cultural effects of that particular poetry by using qualitative research methodology.
جدید نظم کا سیاسی اور سماجی تناظر
No full textModern Poem reflects the Socio-political scenario of Pakistan from last more than 75 years. It is true that modern poem can have Socio-political effects via how it prepares community towards shapes of social struggle adequate to claim the Socio-political and historical atmosphere. By facing historical and Socio-political scenario, the collective wisdom of poet’s social impact can breakdown between overlapping communal and social environment presented by layman or common man aesthetic sense and Socio-political values, an expression of continuous struggles within or between communal spaces regarding those values. Within or between that communal individual and collective struggles over values via the creation of their poems and other creative stuff, which presents the values they need to advocate. All of us know that Poetry’s ordering of customs and values can constitute communities with concept of their historic and social environment. By including desirable socio-political futures and forms of struggle adequate to those will powers. In this article we discuss that poetry power and involvement in society and Socio-political environment of any particular community. We try to present the social impact and effective behaviour of modern poem by using qualitative research methodology. In this regard we analyse the text from prominent poets of modern poem and try to frame the results in scientific manner
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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