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ادبی تاریخ نویسی اور ادبی متون کے معنیاتی واہمے میں کشادگی کے امکانات
No full textLiterary Socialism is not a new theory in west but obviously little unknown in Urdu literature.This literary theory discuss the creative text not only in the absence of creator or not by the envoirment where this text created.In Urdu literature we need to re-criticise our poetry and fiction in the light of literary socialism.Literary Socialism discuss the total frame of text created and person who creates this one,this theory firstly in hisory of literature discuses the public and private offices which take part in the creation of literature likely Anjuman e punjaab,Halqa Arbab e Zauq, Progressive Writters Forum.In this article you can know about madam staeel,the founder of this theory and others.In this article we discuss the Neo_Colonial socio political part of Sir Syed Ahmad Khan,Altaf Hussain Hali,M Hussain Azad and the present situation of creative works of Urdu litreture and point out the inner side of that politacal era.In this article criticaly random techique is used to express basic concept and central point of Discourse that is the reason at some places repitition may proced but it contains due to make article intresred.we try to not be a formal and express the whole theory with simple critic apon urdu litreture and also divide it inti pieces so from the start till end the article carry diffrent particular of literery theory and also about prominent udru litreture.hope article can express the basic idea upon which is based regarding refrences it took some special policy as we use some basic content with some most famous critics of the time but article is not full with refrence and code un code but writer try to make his own opinion
انگریز استعمار کی سماجی مبادیات اور نظیر کا نظمیہ متن (ثقافتی ومعاشی تناظر)
No full textNazeer Akbarabadi, prominent poet from 18th century creates traditional India via his poetic verses and socio-political frame of thinking. Nazeer presented common man life through poetic diction and paint the concrete and steel images of indo-pak middle class life style, Cultural and Economical prospect according to his time period. Nazeer Akbar Abadi’s poem is deep and strong creative recreation and reflection of middle class life which was facing countless socio-political and cultural ethical values in British Raj. Although Nazeer belongs to era in which so called Mughal density was preparing last nights in Laal Qila but the real ruler’s were destroying lay man life by their best to conquer the whole land of India behind the screen. When the cream poets of Urdu literature and poetry were buttering the Mughal’s by Qaseeda n Ghazal, Nazeer was painting Common man pictures and their cultural changes in his poetic world. He was not connected with Raj Darbar and also nor was a straight critic of British Raj as Akbar Alha Abadi was. We can say that Nazeer’s poetic works are the real recreation of indo-pak middle class civilization and their cultural values with their positive and negative plus and minus broad and narrow points of discussions. In this article the collective discourse regarding Indian cultural values is presented by the textual analysis of poetic version of that particular era. When common man was struggling in new aspects of life but upper class elite was enjoying their liberty with Raja Maharaja and British Business tycoons. Nazeer’spoems talks about the real problems of lay manlike Mufalsi, Paisa, Aata daal,Rooti, rupiya, Chapatti and Holi, Devaliextra. In this article we have to interpret the poetic text by qualitative research methods of to analyse the socio political cultural environment of 18th century and the situation of common man in Nazeer poetry.In that particular era lay man was struggling for life humanity food health and other basic necessities of life
نظم راشد کا رد استعماری مطالعہ
No full textColonial period of British Raj having more than three hundred years effects Indo-Pakistan social, political, literary, Religious, Economical and other Cultural discourse via Power. In this era Indian people having relationship with any religion r social structure effectively deprived by the colonial. We can say that in 20th century Poet’s and writers created fruitful discourse regarding this modern slavery. In this article we are discussing the poetic version of N M Rashid’s free Verse. It is true that N M Rashid raised his voice against this modern slavery and make his poetic content more specific and historically relevant.In this perspective we are using Qualitative research methodology so via analysis of prescribed poem’s will be helpful in determining the identity of lay man in Indo-Pakistan and also presented the situation of post 1947. Rashid say’s much in 1940s and 50s about the upcoming situation and this is the work of poet to describe the issues in to be happened in future and special situations in his society. In this article we just select five poems from particular text of “Kulyat i Rashid” because in any other option article will be spread beyond the limits. These five poems are “Inteeqam” “Pehli Kiran” “Zanjeer” “Soghaat” “Talasim Azal”. With close text analysis we try to identify the signs and signatures of poet regarding socio-political scenario of his particular times
مابعد جدید فکریات اور تیسری دنیا کا انسان (مشل فوکو کا تناظر)
No full textFrom last more than hundred Year’s mankind has been rechecked his thoughts and beliefs regarding Society, Culture, Wisdom and Civilization. In this particular period he make his voice more louder and clear.The independence for common man and equal Civic or Rural system.So this world can be safe and secure place for living with his belongings and believes.In this regard French Philosopher Michel Foucault has his own point of view. Which regects the centre of Power's.He inforce that every myth or believe has his own epistemology, which is created in some relevant Discourse or Power System.He also depicted that third world countries and their personal should avial good life with basic elements. Our article discusses the socio political intellectual thought of Michel Foucault.Article based on qualitative research methodology so results can be derived in simple but effective maner
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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