1,721,003 research outputs found
Dominique Colas, Le léninisme
No full textIngerflom Claudio Sergio. Dominique Colas, Le léninisme. In: Annales. Économies, Sociétés, Civilisations. 40ᵉ année, N. 4, 1985. pp. 833-834
Dominique Colas. Lénine et le léninisme
No full textCoutau-Bégarie Hervé. Dominique Colas. Lénine et le léninisme. In: Politique étrangère, n°2 - 1988 - 53ᵉannée. p. 528
Dominique Colas (Éd.), Xénophon. Constitution de Sparte. Aristote. Constitution d'Athènes
No full textRicher Nicolas. Dominique Colas (Éd.), Xénophon. Constitution de Sparte. Aristote. Constitution d'Athènes. In: L'antiquité classique, Tome 67, 1998. pp. 448-449
Dominique Colas (Éd.), Xénophon. Constitution de Sparte. Aristote. Constitution d'Athènes
No full textRicher Nicolas. Dominique Colas (Éd.), Xénophon. Constitution de Sparte. Aristote. Constitution d'Athènes. In: L'antiquité classique, Tome 67, 1998. pp. 448-449
Dominique Colas , Les Constitutions de l'URSS et de la Russie (1905 - 1993), 1997. (Que sais-je ?)
No full textKossov Valeri. Dominique Colas , Les Constitutions de l'URSS et de la Russie (1905 - 1993), 1997. (Que sais-je ?). In: Revue Russe n°16, 1999. pp. 105-107
Dominique Colas, Poutine, l’Ukraine et les statues de Lénine
No full textDepuis le début de la guerre en Ukraine en février 2022, les publications pour éclairer l’histoire récente du monde post-soviétique et analyser les dynamiques du conflit se multiplient. On peut citer, dans des registres bien différents, Jamais frères ? d’Anna Colin-Lebedev, Et si l’Ukraine libérait la Russie ? d’André Markowicz, Poutine, historien en chef de Nicolas Werth, et plus récemment Quand nous nous sommes réveillés de Luba Jurgenson. Dominique Colas, spécialiste de la pensée léniniste..
Droit, institutions et systèmes politiques. Mélanges en hommage à Maurice Duverger. Publié sous la direction de Dominique Colas et Claude Emeri
No full textZylberberg Jacques. Droit, institutions et systèmes politiques. Mélanges en hommage à Maurice Duverger. Publié sous la direction de Dominique Colas et Claude Emeri . In: Revue française de science politique, 41ᵉ année, n°3, 1991. pp. 417-420
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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