1,849,639 research outputs found
Calvanese, Domenico -- 1967-68 -- Correspondence, Individual -- letter, 1967-07-07
No full textLetter from Calvanese, Domenico dated 1967-07-07.Sabin Collection Fair Use Policy</a
DAntona, Domenico -- 1964-66 -- Correspondence, Individual -- letter, 1964-05-15
No full textLetter from D'Antona, Domenico to Sabin, Albert B. dated 1964-05-15.Sabin Collection Fair Use Policy</a
Il realismo immaginario nella letteratura di Domenico Rea
No full textConvegno in occasione del dibattito svoltosi al circolo Posillipo per la ristampa del volume “Tentazione” di Domenico Rea (1976). La relazione ha affrontato questioni relative allo stile e all'immaginario del celebre scrittore partenope
The pictorial wit of Domenico Tiepolo
Full text linkThis thesis takes a new approach to Domenico Tiepolo’s (1727-1804), Divertimento Per li Regazzi (c.1795-1804), it is arguably the artists most enigmatic graphic work, which features the commedia dell’arte character Pulcinella. The drawings have hitherto been subject to rigorous connoisseurial analysis. Indeed, in his introduction to ten of the drawings in a catalogue of Italian Eighteenth-Century Drawings in The Robert Lehman Collection at the Metropolitan Museum of Art, New York, James Byam Shaw states that this particular series of drawings has now become so famous ‘that it is hardly necessary to add to the literature of the series.’1 In my opinion it would be a great pity if future generations of scholars were discouraged by this remark, for I believe the drawings still have much to ‘tell’ the contemporary art historian and would further benefit from increasingly interpretative readings. Previously, scholars have regarded Domenico Tiepolo as an imitator of his father, Giambattista Tiepolo (1696-1770), and interpreted the re-appropriation of motifs in the Divertimento as signs of old age and fatigue. I suggest, on the contrary, that in this series of drawings in particular, Domenico was an innovator.
This project carves out new territories within the study of the series in that it focuses on the playful nature of the drawings, and how the suite can be understood in relation to contemporary theory concerning games and play, and ludic musical/improvisatory forms. Additionally, the drawings are discussed as a case history in a now popular emerging dialectic on the late works of aged artists: here I consider how these drawings, often funny, poignant, sensitive and delicate reveal how the elderly painter reconciles himself not only to the passing of his own life and the extinction of his family line but to an entire political, cultural and visual tradition
Realismo magico e naturalismo verista: gli universi espressivi di Domenico Rea
No full textealismo magico e naturalismo verista: gli universi espressivi di Domenico Re
Della trasportatione dell'obelisco vaticano et delle fabriche di nostro signore Papa Sisto V...
No full textColofónSign.: [ ]\p1\s, A-S\p6\s, [cruz]\p4\sPort. arquitectónica, "intagliato da Natal Bonifacio da Sibenico"Sign.: A-S\p6\s, cruz \p4\sPort. arquitectónicaRetrato calc. de Domenico Fontana en h. de grab.: "natalis bonifactius Sibenicen. Dalmatinus Inciebat Romae 1589"Ilustraciones calc. a lo largo del texto y grab. calc. en h. plegIl. calc. en port.: "intagliato da Natal Bonifacio da Sibenico
Transcending Giambologna: Domenico Pieratti and his experiments
No full textThe author maps out the career of Domenico Pieratti (Florence, 1600 - Rome, 1656), sheding light on this remarkable brilliant and highly original sculptor at the service of the Medici and Barberini
Domenico Losurdo tra filosofia, storia e politica
Full text linkA un anno dalla scomparsa improvvisa di Domenico Losurdo, gli allievi, gli amici e i colleghi ne ripercorrono il pensiero ricostruendo il suo apporto alla conoscenza della filosofia classica tedesca, alla critica del liberalismo, alla ricostruzione del materialismo storico
Dal Fondo Domenico Comparetti della Biblioteca Umanistica dell'Università degli Studi di Firenze: le missive di Remigio Sabbadini
No full textNell'articolo vengono pubblicate per la prima volta le lettere e le cartoline inviate da Remigio Sabbadini a Domenico Comparetti conservate nel Fondo Comparetti presso la Biblioteca Umanistica dell'Università degli Studi di Firenze. Si tratta complessivamente di 59 documenti che si collocano nel periodo di tempo compreso fra il 1879 e il 1915. Il materiale rivela lo stretto rapporto esistente fra i due studiosi ed è in particolar modo interessante relativamente agli anni compresi fra il 1886 e il 1889, in quanto testimonia la decisa volontà di Sabbadini di ottenere una cattedra universitaria e le richieste d'aiuto dello studioso nel tentativo di raggiungere tale obiettivo.In this article are published for the first time the letters and the postcards sent by Remigio Sabbadini to Domenico Comparetti, preserved in the Fondo Comparetti of the Biblioteca Umanistica of the University of Florence. They are 59, written between 1879 and 1915, and reveal the close relationship between the two scholars. The period 1886-1889 is particularly interesting because of the letters and the postcards that prove Sabbadini's strong wish to achieve an academic position, and his requests for help in order to reach this objective
- …
