1,721,065 research outputs found
"Hydrological Processes Special Issue ""Hydrological processes across climatic and geomorphological gradients of Latin America"""
No full textAgradecemos a todos los autores el arduo trabajo en la elaboración de sus artículos y, en particular, a los numerosos revisores por sus críticas reflexivas y constructivas que contribuyeron a la elaboración de este número especial. También agradecemos a la editora en jefe, la profesora Doerthe Tetzlaff, su apoyo y sus alentadores consejos. CB agradece el apoyo de la Universidad de Costa Rica para Estudios Avanzados (UCREA-B8276). MZB agradece el apoyo de CONICYT/FONDAP 15110009.We thank all the authors for the hard work pulling together their papers and particularly the many reviewers for thoughtful and constructive criticism that helped shape this special issue. We also thank the editor-in-chief, Professor Doerthe Tetzlaff, for her support and encouraging advice. CB would like to acknowledge support by the University of Costa Rica Advanced Studies (UCREA-B8276). MZB acknowledges support by CONICYT/FONDAP 15110009
Long-term drought effects on landscape water storage and recovery under contrasting landuses
Full text linkCRediT authorship contribution statement Shuxin Luo: Conceptualization, Data curation, Formal analysis, Investigation, Methodology, Software, Validation, Visualization, Writing – original draft, Writing – review & editing. Doerthe Tetzlaff: Conceptualization, Writing – review & editing, Funding acquisition, Resources, Supervision. Aaron Smith: Data curation, Methodology, Software. Chris Soulsby: Conceptualization, Supervision, Writing – review & editing, Methodology.Peer reviewe
Please see SCs for detailed responses by the authors to the comments made by Referee #2.
No full textIntegrated ecohydrological hydrometric and stable water isotope data of a drought-sensitive mixed land use lowland catchment
Full text linkAcknowledgements. We thank David Dubbert for support of the liquid water isotope samples. We also thank our colleagues from the Finck Foundation, Benedict Boesel and Max Kuester, for the trustful collaboration and for providing access to the study sites. Funding Information: We were funded by the Bundesministerium für Bildung und Forschung (BMBF – funding code 033W034A), which supported the stable isotope laboratory at IGB. Funding for Doerthe Tetzlaff was also received through the Einstein Research Unit “Climate and Water under Change” from the Einstein Foundation Berlin and Berlin University Alliance (grant no. ERU-2020-609).Peer reviewe
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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