25,059 research outputs found

    The CIDOC CRM, an Ontological Approach to Schema Heterogeneity

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    The CIDOC Conceptual Reference Model (CRM), now ISO/CD21127, is a core ontology that aims at enabling information exchange and integration between heterogeneous sources of cultural heritage information, archives and libraries. It provides semantic definitions and clarifications needed to transform disparate, heterogeneous information sources into a coherent global resource, be it within a larger institution, in intranets or on the Internet. It is argued that such an ontology is property-centric, compact and highly generic, in contrast to terminological systems. The presentation will demonstrate how such a well-crafted core ontology can help to achieve a very high precision of schema integration at reasonable cost in a huge, diverse domain. It is further argued that such ontologies are widely reusable and adaptable to other domains which makes their development cost effective

    The use of CRM Core in Multimedia Annotation

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    Cultural heritage institutions are fantastic resources of multimedia content. Rich metadata structures, able to capture the diversity of the media, the subject matter and the context around each information asset, are required to make this content accessible. This paper describes how the CIDOC CRM Core format can be used to structure cultural heritage metadata for multimedia by making the appropriate abstractions to reconstruct and expthe historical context for rich associative resource retrieval

    Jack Alive / Martin Dead : The Location of the "Author" in Jack London\u27s Martin Eden

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    This essay is an attempt to read Martin Eden, Jack Londonʼs autobiographical novel, in terms of the inextricable relationship between the author and the protagonist. Critics have often taken the unbalanced plot and the lack of ironic distance between narrator and character in Martin Eden as the technical weakness of London, but this paper argues that the achievement of this novel owes a great deal to the attachment of London to Martin. The unbalanced structure is a necessary product of the severe struggle of the author to kill his romantic alter ego. // Martin, who aspires to win Ruth Morse, tries to cross class boundaries by making a career of a writer. Even after realizing the emptiness of Ruth, who turns out to be nothing but a typical figure of the bourgeoisie, he somehow persists in loving her. The notion underlying here is that, for Martin, love, career and art are fundamentally inseparable. He objects to the aestheteʼs view of Brissenden on account of his separation of art from career. Martinʼs identity and life consist only in the triunity of love/career/art; the alternative is the repudiation of life. Thus, the unnatural delay of his disappointment in love can be regarded as Londonʼs strategy to set the suicide of Martin as the necessary consequence of the story. // By finishing the story and killing Martin, London finally detaches himself from Martin, reconstructs his self, and, unlike Martin, survives as a professional writer. In this sense, Martin Eden is a story about “writerʼs self-reconstruction.

    Robert Martin Tiffin's Mystery Man Newspaper Articles

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    Advertiser-Tribune newspaper clippings featuring a story about Robert Martin (written by Nancy Kleinhenz), a local author from Tiffin (Ohio) who wrote under the pseudonym of Lee Roberts, and two of his short stories. Martin wrote mystery novels in his spare time, creating more than 22 mystery novels. For more information about Robert Martin and a list of books go to http://www.mysteryfile.com/RMartin/JBennett.html

    Experiences Using Large Scale Video Walls for Distance Education

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    We describe our experiences building and using the Rutgers Videowall, a low-cost telepresence system that has been used teaching 15 courses and colloquia. By relaxing typical spatial telepresence features, such as background continuity, we greatly reduced costs and gained flexibility in the rooms it could be deployed in. The lower costs and room flexibility enabled academic departments to use the wall, in contrast to traditional telepresence systems which remained inaccessible. We found that the Videowall’s spatial distortions did not have a significant impact on useability, as our initial survey results show that students had an overall positive experience.Technical report DCS-tr-72
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