2,235 research outputs found
The elegies of Ted Hughes
No full textThe purpose of this study is to make the case that Ted Hughes (1930-1998) is one of the pre-eminent elegists writing in English in the latter half of the twentieth century. Whilst his poetry has been widely criticised for its apparent preoccupation with violence and death, it is puzzling that the links these topics have in common with elegy have never been clearly verified. This might be because Hughes's elegies do not appear to bear the characteristics frequently associated with traditional poetic laments; however, as this study shows, closer scrutiny reveals not only many similarities, but also acts of resistance within the broader scope of elegy. Drawing on both established and contemporary critical debates surrounding Hughes and elegy, this study undertakes a comprehensive reading of the poet's major works from The Hawk in the Rain to Birthday Letters, whilst also paying attention to limited editions of his verse, including Recklings, Capriccio and Howls & Whispers. Posthumous publications, including the Collected Poems. Selected Translations and Letters of Ted Hughes, are accounted for. so that (alongside the chronological reading of the poems) Hughes's development as an elegist is fully realised. One of the aims of the thesis is to demonstrate that the poet's elegies are unified in presenting what I term the ‘actual'; that is to say, that Hughes does not fabricate sensations or forge experiences that purport to be beyond the realm of recognisable human endeavour. This I term his 'unfalsifying dream’. This is striking because quite often traditional elegies appear to present the opposite: a language which is ๐mate and images which are close to beatifying the deceased, putting them at a remove from human experience and existence. 'The Hawk in the Rain' is used to illustrate Hughes's theoretical position, especially in the case of his earlier war elegies and the circumstances of Remains of Elmet and Moortown Diary. He is both the observational, seemingly dispassionate poet (the hawk), capable of a detaching himself from the experience he wishes to relay in his verse, and yet, he is also the wanderer 'in the rain, one who is immersed in the momentous instant of his own language and experience. Like his personas, Hughes is divided. He is complicit with many of elegy's practices and traditions, but he is also a reformer and renovator of elegy, writing invigorating verse which brings the realities of mortality closer to the reader. In doing so, he reaffirms the significance of life and how this life might be better lived in closer harmony to poetry and contemporary ecological urgencies. 'The Elegies of Ted Hughes' aims to prove that far from being just a 'poet of nature', Hughes has been an exemplary elegist in our own time
My Maine piece by author Ted Gup who describes with tenderness and humor his m
No full textMy Maine piece by author Ted Gup who describes with tenderness and humor his morning ritual of removing mice from the live traps in his cabin and walking them to a clearing for release back into nature
Ted Pelton Reading and Workshop
No full textAuthor Ted Pelton recites the mythology of the trickster Woodchuck, which includes tales of Woodchuck\u27s creation by God, his assassination of President John F. Kennedy, and his inexplicable habit of carrying a very personal possession in a box, in this February 20th, 2008 edition of the Rooftop Poetry Club podcast
Ted Conover, 33rd Annual ODU Literary Festival
No full textTed Conover is the critically-acclaimed author of Rolling Nowhere: Riding the Rails with America’s Hoboes; Whiteout; Coyotes: A Journey Across the Border with America’s Mexican Migrants; and Newjack: Guarding Sing Sing, which was a finalist for the Pulitzer Prize and winner of the National Book Critics Circle Award. His latest work is The Routes of Man, which explores the ways roads are changing the world
TANK @ the Q
No full textTANK performs a one off concert at Hobart Jazz Club the Q. Alistair Dobson features in this group as an improviser and composer. The group also features Nick Haywood, Ted Vining and Kelly Ottaway
Fire and Rescue Operations. Engine House #21, Toledo, Ohio, 1984
No full textFrom the Ted J. Ligibel Collection, a 1984 view of the all-brick historic Toledo Fire Department, Engine House #21 on South Detroit Avenue and Glendale Avenue in South Toledo. A Sohio Service Station is visible behind the buildings. Terms associated with the photograph are: historic buildings | fire stations | Fire and Rescue Operations. Engine House #21 (Toledo, Ohio) | Author Toledo (Ohio). Department of Fire and Rescue Operations | Glendale Avenue (Toledo, Ohio) | 1474 South Detroit Avenue (Toledo, Ohio) | Sohio Service Station (Toledo, Ohio) | service station
Ted Harrison
No full textPhotograph - Artist Ted Harrison visits with children at the Athabasca Public Library, Athabasca, Albert
TANK featuring Eugene Ball
No full textJazz and Improvised Music ensemble TANK were joined by leading Australian improviser Eugene Ball (trumpet) for an evening live improvised music. The group performed a combination of spontaneous improvised music, selections from the jazz canon and original compositions by Alistair Dobson. This one off performance focused on collective improvisation in response to both composed and non composed musical elements. TANK is Ted Vining (drums), Alistair Dobson (saxophone), Nick Haywood (bass) and Kelly Ottaway (piano)
Jazz @ MONA - TANK
No full textTANK performs in the Sunday Jazz series at MONA. Normally a quartet, the group performs as a chordless trio of Sax (Alistair Dobson), Bass (Nick Haywood) and Drums (Ted Vining) presenting a range of swinging jazz standards and original improvised music
Ted Harrison - 02
No full textPhotograph - Artist Ted Harrison visits with children at the Athabasca Public Library, Athabasca, Albert
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