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La parola e l'immagine nel ciclo illustrativo del Welscher Gast di Thomasin von Zerklaere
Dal 1914 a Thomas Kling. Considerazioni sulla poesia di guerra
In an attempt to offer a new approach to the understanding of war poetry, the first part of this essay
focuses on the reasons for the literary genre of poetry being successful immediately prior to and during
the First World War in comparison with other forms. In the second part, the aesthetical relationship
between poetry and war is shown using examples of European poetry from the Twentieth Century.
This essay examines the traditional definition of “war poetry” or “poetry of war”, and prompts an
interpretation of war poems that is not strictly chronological in nature, being representations of the
complex relationship between culture, conflict and memory. A particular conception of history through
poetry is sustained by the contemporary German poet Thomas Kling, who published a series about
the Great War entitled “Der Erste Weltkrieg” in 1999. The subject of the last part of this essay entails
his archaeological approach to the language and his poetical summary of history by means a dynamic
memory process that occurs in the present day
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