1,720,956 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Bodies of irony : irony, the unruly body, feminist performance
Get PDFBodies of Irony begins at the crossroads where theories of irony, configurations of the unruly female body and particular performance pieces meet, greet and get off on one another. As I re-present spectacular scenes featuring Karen Finley, Courtney Love, Princess Superstar, Spiderwoman, Coco Fusco and Guillermo Gómez-Peña among others, I show how irony can give familiar feminist and/or postcolonial sentiments a fresh, funky edge; how it may highlight hypocritical states of affairs and how it enables one to adopt a sensibility that juggles the seemingly irreconcilable. Irony also becomes embodied. I demonstrate how a variety of figures associated with the unruly female grotesque--the madwoman, the slut, the hysteric and the noble savage--are re-done with irony as they rage, smirk and laugh their way across specific stages, spaces and streets. In turn, conversations emerge around: postmodernism feminism, political activity and claims to identity; postcolonial inquiry into concepts like hybridity, authenticity, memory and Otherness as exotic spectacle; critiques of the good girl/bad girl binary and the norms that ground and surround appropriate femininity. As I elaborate on responses to the performances re-staged throughout this project, the risks and dangers linked to irony and the unruly body are fleshed out. Many of the performers that I focus on have been trivialized, dismissed, detested, arrested and/or recuperated. Often their words and deeds seem to perpetuate what they seek to critique. However, although I suggest that ironic and unruly endeavors can backfire, I also stress that such serious play can prove pleasurably, provocatively and politically promising
Things to do With the "F" Word: The Ironic and Unruly Adventures of Liz Phair and Courtney Love
No full textNot-So-Exotic-Indians: Irony, Identity and Memory in Spiderwoman's Spectacles
No full textThis article traces the trail blazed by Spiderwoman - a First Nations performance trio - who engage in the art of decentering the colonial, postcolonial and often even Native romance with the authentic. As I re-make and remark on Spiderwoman's spectacles, I suggest that their shows are ripe with a variety of ironies linked to an unruly bodily aesthetic featuring the figure of the carnivalesque female grotesque which work to disrupt and reconfigure representations of "Indian-ness." Such strategic interruptions also inevitably serve to unsettle seemingly stable concepts like identity and memory. In sum, I show how Spiderwoman work with and through irony and the figure of the unruly female body in ways that allow them to juggle and struggle with their desire to hold on to some form of First Nations identity in the midst of a society in which nostalgia for the lost "Other," the misguided myth of primitivity and commodity capitalism meet, greet and get off on one another
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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