1,721,291 research outputs found
Ensuring kinetostatic consistency in observation of human manipulation
No full textThe aim of this paper is to present a method to guarantee the kinetostatic consistency in observation of human manipulation, i.e. the consistency between the observed hand posture and the tactile information on the contact between the fingertips and the objects. The core idea of the proposed algorithm is to compare the fingertip contact information, obtained by tactile sensors, with the contact information computed in a virtual environment, that reproduces the real environment where the observation is carried out. In case the estimation of the joint angles and the relative pose between the hand and the object are not consistent, a correction of the hand posture is computed. For some tasks, collisions might occur between parts of the hand (e.g. palm) and the grasped object. To handle this problem, the corrected hand posture is computed by adopting a closed loop inverse kinematic (CLIK) approach that exploits the redundant Degrees of Freedom (DoFs) of the hand. The algorithm has been designed to work on-line. This feature is particularly important for Programming by Demonstration (PbD) applications, since it allows the trainer to actively adapt the demonstration to measurement noise and model errors. The effectiveness of the proposed method has been tested in five different tasks: grasping a cup, unscrewing a bottle, grasping a plate, grasping a ketchup bottle, and grasping a measuring cup. (C) 2012 Elsevier B.V. All rights reserved
Visualizing Dissimilarity Data using generative topographic mapping
No full textGisbrecht A, Mokbel B, Hasenfuss A, Hammer B. Visualizing Dissimilarity Data using generative topographic mapping. In: Dillmann R, Beyerer J, Hanebeck UD, Schulz T, eds. KI'2010. 2010: 227-237
Modeling of Biomechanical Parameters Based on LTM Structures
No full textSchütz C, Klein-Soetebier T, Schack T. Modeling of Biomechanical Parameters Based on LTM Structures. In: Ritter H, Sagerer G, Dillmann R, Buss M, eds. Human Centered Robot Systems: Cognition, Interaction, Technology. Cognitive Systems Monographs, 6. Berlin, Heidelberg: Springer-Verlag; 2009: 161-171
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Intelligent Autonomous Systems 15: Proceedings of the 15th International Conference IAS-15
No full text
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
