877 research outputs found
Public worship and practical theology in the work of Benjamin Keach (1640-1704)
No full textThe late seventeenth century was a critical and fruitful period
for the Particular Baptists of England. Severely persecuted following
the Restoration, toleration in 1689 brought its own perils.
Particular Baptists were fortunate in having several strong leaders,
especially the London trio of Hanserd Knollys, William Kiffin, and
Benjamin Keach. Such a small and severely persecuted group as the
Baptists could afford little time for academic pursuits, thus of
necessity most of their theology was practical in nature.
Benjamin Keach (1640-1704) was the most outstanding practical
theologian among the English Particular Baptists of the late
seventeenth century. This dissertation is a study of Keach, in
particular his writings on public worship and practical theology.
Although Keach was a prolific author, he has been almost completely
neglected by scholars.
After a biographical sketch of Keach, this study considers his
writings on public worship and practical theology. In the area of
worship, Keach made two outstanding contributions: First, he was the
most vocal apologist for Baptist views on Baptism of his period.
Secondly, and more importantly, his hymn writing and defense of hymn
singing broke new ground, not just for Baptists, but for English
Protestantism, in general. In addition to his contributions in these
areas, he also dealt with the laying on of hands and the sabbath day
worship controversy.
Keach's contributions to practical theology fall into two main
groups: his writings that concern religious education and those that
deal with polity. In addition to these, Keach's vigorous advocacy of
a high Calvinist soteriology are also considered under the rubric of
practical theology. Keach's most important (although not his most
positive) contribution in this area were his soteriological writings.
Although well within the bounds of orthodoxy, some of the tendencies
in Keach's soteriology were taken up by the following generation of
Baptist leaders and developed into a stultifying hyper-Calvinism that
handicapped Baptist evangelism and missions.
In the conclusion, Keach's contributions to a theory of practical
theology are considered
The modernist angel: Art at the Limits of the Human in D. H. Lawrence, H. D. and Mina Loy
No full textPhDThe subject of this thesis is a figure that might provisionally be called the *modemist
angel'. Focusing on modernist literature, and more particularly on the work of D. H.
Lawrence, H. D. and Mina Loy, it aims to isolate from the many angels found in all periods
and all types of art a historically specific and intellectually coherent paradigm: an angel of
and for its modernist times. A figure of precisely this type could be said to exist in the
form of Walter Benjamin's 'angel of history'. Critics who address the question of the
modern angel in texts by Franz Kafka and Rainer Maria Rilke often do so in conjunction
with the problem posed by the angel of history. Beginning with a chapter on Benjamin,
this thesis nevertheless follows a different trajectory. Over five chapters, it explores a
modernist landscape formed not only by Lawrence, H. D. and Loy, but also by European
and American writers such as A. R. Orage, Allen Upward, Ezra Pound, Wallace Stevens,
Havelock Ellis, Edward Carpenter, Sigmund Freud and Friedrich Nietzsche. Although the
angel that emerges from this investigation might, in some respects, be said to anticipate
Benjamin's later version, this figure is also very different, standing for a project that is
distinctively, and recognisably, modernist in nature. He/she (the sex of the modernist
angel is often open to question) represents an attempt to reconcile the divine
responsibilities of the artist with the material and gendered conditions of being,
specifically of being human, in the modem world. This thesis looks again at the clash of
intellectual paradigms in the early-twentieth century - notably, the confrontation of the
Romantic view of art as a superhuman or sacred undertaking with the psychoanalytical or
evolutionary idea that all human endeavour is underpinned by sub-human motives - and
suggests the angel as a new and instructive figure through which to think the perilous
limits between the human and the divine in modernist literature
Commerce, finance, and the politic tradition in the histories of Paul de Rapin de Thoyras and William Guthrie
No full textThe article focuses on the history of economic affairs within the books "History of England," by Paul de Rapin de Thoyras and "General History of England," by William Guthrie. The author discusses how commerce and finance impacted politic history in England throughout the 18th century and explores how Rapin and Guthrie used politic history to depict the reigns of British monarchs Henry VII, Elizabeth I, and James I
The new enfant du siècle: Joseph de Maistre as a writer
No full textThe essays contained within this volume were first presented at Reappraisals/Reconsidérations, the Fifth International Colloquium on Joseph de Maistre, held at Jesus College, Cambridge on 4 and 5 December 2008.Series editor-in-chief: Guy Rowlands, University of St AndrewsJoseph de Maistre's reputation as a writer is legendary. His style, unique and alive, moulded the French language anew. It sabotaged his attempts at anonymous publication and earned him, through the centuries, the praises of enemies and admirers. Yet the relationship between Maistre's thought and writing remains ill-known. This collection is the first to examine how Maistre's ideas – including his denunciation of the written word – intersected with his writing practices and personas. The essays disclose an author formed by duty and affectionate relationships, by the conventions of public combat, by an intense sense of history, and by the imperatives of Revolution.Introduction: assessing Maistre's style and rhetoric / Richard A. Lebrun -- Joseph de Maistre as pamphleteer / Richard A. Lebrun -- Joseph de Maistre, letter writer / Pierre Glaudes ; translated by Kevin Michael Erwin and Richard A. Lebrun -- Joseph de Maistre: the paradox of the writer / Benjamin Thurston -- Epilogue: the forced inhabitant of history / Carolina ArmenterosPublisher PD
Conflict between the individual and the community in the early works of Richard Wright, 2006
Get PDFSince gaining prominence in the late 1930s, author Richard Wright has had his works subject to a steady literary analysis seeking to place his writings into a proper context. Is there a central theme to Wright's works? Using Wright's autobiographical Black Bov as a template, this thesis uncovers a twofold yearning of central importance to Wright's main characters: the need for individuality, the preservation and continued integrity of the protagonists' physical, mental, and emotional well-being, and the need for community, a social arena in which the protagonists can meet and connect with other human beings on an equal basis. The main character's relentless quest for a place in which his two goals can be met it is the central tenet of Richard Wright's early fiction. His relationships-emotional bonds with family, sexual bonds with women, and ideological bonds with Christians, Communists and other groups-are to be evaluated by that metric alone. By using Black Boy as a means through which to view the actions of characters in other works, this study will show that for Wright's main characters tire twin desire for individuality and community dictate the course of every action
Embeddedness as Condition and Strategy in Contemporary Art and Cultural Production
No full textThis thesis examines the concept of ‘embeddedness’ as condition and strategy in contemporary art and cultural production. Identifying embeddedness as a motif of contextual proximity and a strategy in contemporary art, the thesis proposes immediacy to be the result of intrinsic mediation. The project’s main concern is how embeddedness is contextualised by the current conditions that authors and cultural producers engage with. The primary question is whether and how embeddedness can convey a critical relation to the mediation that it undertakes. These concerns inform and arise from my work as an artist, and my participation in events, some of which I organise. The project claims that embeddedness in art is a critical condition and an editorial concept or a strategic plan that can be set up by the artist.
The investigation begins by looking at conditions of embeddedness by focusing on concepts of subjectivity and by elaborating strategies that I call ‘auto-direction’. For example, concepts of subjectivity are taken up in relation to Richard Serra’s video Boomerang (1974), in which the performer Nancy Holt reflects on her own spoken words, which are fed back with a short delay via microphone and headphones into her ears. Auto-direction, introduced with the example of Steven Spielberg’s initiative of a video diary exchange project between Israeli and Palestinian children, describes the activity of the producer, who self-directs his situated presence. Taking up idioms of embeddedness from artists like Phil Collins, Christian Jankowski and Erik van Lieshout the project examines embeddedness through a comparative analysis between contemporary art, visual culture, media theory, sociology, art theory, psychoanalysis and philosophy. These practices lead to an identification of embeddedness as an author’s immanent exposure, a claim taken up through analysis of theoretical texts and literature by Rosalind Krauss, Jacques Lacan, Jacques Derrida, Gregory Bateson, Hal Foster, Bernard Williams and Alfred North Whitehead
Tagging of Biomedical Articles on CiteULike: A Comparison of User, Author and Professional Indexing
Get PDFThis paper examines the context of online indexing from the viewpoint of three different groups: users, authors, and professional indexers. User tags, author keywords and descriptors were collected from academic journal articles, which were both indexed in Pubmed and tagged on CiteULike, and analysed. Descriptive statistics, informetric measures, and thesaural term comparison shows that there are important differences in the use of keywords between the three groups in addition to similarities which can be used to enhance support for search and browse. While tags and author keywords were found that matched descriptors exactly, other terms which did not match but provided important expansion to the indexing lexicon were found. These additional terms could be used to enhance support for searching and browsing in article databases as well as to provide invaluable data for entry vocabulary and emergent terminology for regular updates to indexing systems. Additionally, the study suggests that tags support organisation by association to task, projects and subject while making important connections to traditional systems which classify into subject categories
Historical writing in Britain, 1688-1830:visions of history
No full textHistorical Writing in Britain, 1688-1830 is concerned with developments in historical discourse during the long eighteenth century. The collection investigates a number of interrelated themes: the contested and unstable nature of generic boundaries surrounding historical literature; history's contribution to changing notions of national identity; and the ways that history operated as a site for the articulation of new forms of community. In order to capture the diversity of the period's understanding of history, a variety of subjects are considered including historical poetry, the historical novel, biography, and art history, as well as more conventional, 'classical' modes of historical writing. Taken together, the chapters in the volume demonstrate that eighteenth-century history shaped, and was shaped by, a series of revolutionary changes in ideas regarding historical genre, nationhood, and identity
Tea and the tea-table in eighteenth-century England
No full textThis four-volume collection takes as its starting point the earliest substantial descriptions of tea as a commodity in the mid-17th century, and ends in the early 19th century with two key events: the discovery of tea plants in Assam in 1823, and the dissolution of the East India Company's monopoly on the tea trade in 1833
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