1,720,963 research outputs found
KC 05: on destruction and preservation in creative process
Participating panellist at Kitchen Conversations London: Creative Destruction Series; no. 05: On Destruction and Preservation in Creative Process. Panellists include Alia Syed, Noski Deville, Architects Smout Allen and poet Agnieszka Studzinska.
Cinematographer Noski Deville and artist filmmaker Alia Syed discuss creation and destruction in their film collaboration 'Priya'(2011).
Architects Smout Allen, whose work Infractus: the taking of Robin Hood Gardens, deals with the controversial demolition of Alison and Peter Smithson’s 1972 housing estate in east London, join the conversation on destruction and preservation.
A rare opportunity to see Alia Syed’s film Priya (2011) projected from 16mm print.
Plus Poet Agnieszka Studzinska, author of Passage reading her work, launching Wapping Project's next publication of commissioned writing.
Kitchen Conversations London are presented in partnership and with generous support of The Future Laboratory
Independents Day: Films From the London Filmmakers’ Co-op Catalogue
'Independents Day: films from the London Filmmakers' Co-op Catalogue' as chosen by David Leister, screening on 4th July 2014 at Lewisham Arthouse.
Featuring: Mike Dunford (Lens Tissue), Alia Syed (Swan), Vanda Carter (Mothfight), Nick Gordon-Smith (O), Michael Maziere (Swimmer), John, David Leister (Driving the Loop), Noski Deville (Carousel, 1987)
Sheila verzweifelt gesucht.20 Jahre Lesbisch Schwule Filmtage Hamburg
This preview (Leseprobe) of Bild:schön offers selected excerpts from 20 Jahre Lesbisch Schwule Filmtage Hamburg, an illustrated commemorative volume reflecting on two decades of the Hamburg International Queer Film Festival (Lesbisch Schwule Filmtage). The work documents historical developments in queer cinema and festival culture in Germany, combining interviews, essays, and visual material relating to queer film movements and community practice. Noski Deville wrote essay chapter: Sheila verzweifelt gesucht
Now Showing Patrick Staff
Patrick Staff presented Noski Deville's film Loss of Heat (1994) at London's The Showroom on 14 December 2016.
Organised by the monthly program Cinenova: Now Showing, interdisciplinary artist Patrick Staff will show the celebrated director and cinematographer Noski Deville whose film explores epilepsy in a 'magical realist portrayal of queer love' and a portrayal of the relationship between the carer and the cared for.
Cinenova is a feminist film organisation that focuses on contemporary moving image and the Now Showing program is working with its archive to re-present what is in the collection.
In addition to the screening, Patrick Staff will also present a text and video-in progress to prelude their coming solo show Weed Killer at Los Angeles’ MOCA in 2017 that looks at 'illness and gender, and particularly the intersections of queer identity, cross-generational dialogue, and the fine line between states that both poison and nourish.
Priya
Priya is an extended aerial shot of a twirling Kathak dancer. The footage was buried in various organic materials deteriorating the initial image in an attempt to shift cultural specificity and linear narratives of time and space. Rituals of burial expound successive memories of entombment; the skin of the film becomes the body of the dancer, fracturing time into a darkly evocative, psychological space
Cinematography
Screening of 'The Turin Horse' followed by a talk with cinematographers Fred Kelemen and Noski Deville, as part of the Barbican Craft of Film series.
Cinematographer Fred Keleman talks about his work on Bela Tarr’s The Turin Horse. Noski Deville has had a long standing career as cinematographer / director of photography, both on film and digital. She is well known from her work with internationally acclaimed visual artists including Jananne Al-Ani, Isaac Julien, Steve McQueen, Alia Syed and Daria Martin
Black Powder Peninsular
Noski Deville continues her collaboration as Director of Photography with artist Jananne Al-Ani, shooting across various HD formats using helicopter, boat and drone platforms.
Black Powder Peninsular takes the form of an aerial journey across the British landscape. Al-Ani’s film features an area of north Kent rich in military and industrial history. Locations include the remains of the Curtis’s and Harvey explosives factory at Cliffe; the ghostly footprint of the Anglo Iranian Oil Company’s refinery on the Isle of Grain; and the ruins of Palmerston forts in the Medway estuary.
Black Powder Peninsular is a single-channel digital video, which extends Al-Ani’s long-standing enquiry into the relationship between the technologies of photography and flight and their impact on modern warfare, from the earliest systematic use of aerial reconnaissance over the battlefields of northern Europe during World War One to the use of surveillance satellites and drones today
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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