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Heltinders og berømmelige damers sammenlignede historier
No full textPaginierfehler: springt von Seite 224 auf Seite 229Vorlageform der Veröffentlichungsangabe: Kopenhagen und Leipzig bey Otto Christoph Wenzel, 1754. - Leipzig ist Messeor
Gründlicher und ausführlicher Gegen-Bericht von der Streitigkeit welche zwischen Ihro Bischöfl. Hochfürstl. Durchl. zu Lübeck und dem dasigen Hochwürdigen Dom-Capitul wegen einer von diesem am 4 Octob. 1756. rechtsbefugt vorgenommenen Coadjutorie-Wahl obwaltet
No full textGRÜNDLICHER UND AUSFÜHRLICHER GEGEN-BERICHT VON DER STREITIGKEIT WELCHE ZWISCHEN IHRO BISCHÖFL. HOCHFÜRSTL. DURCHL. ZU LÜBECK UND DEM DASIGEN HOCHWÜRDIGEN DOM-CAPITUL WEGEN EINER VON DIESEM AM 4 OCTOB. 1756. RECHTSBEFUGT VORGENOMMENEN COADJUTORIE-WAHL OBWALTET
Gründlicher und ausführlicher Gegen-Bericht von der Streitigkeit welche zwischen Ihro Bischöfl. Hochfürstl. Durchl. zu Lübeck und dem dasigen Hochwürdigen Dom-Capitul wegen einer von diesem am 4 Octob. 1756. rechtsbefugt vorgenommenen Coadjutorie-Wahl obwaltet ([1])
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Vindicias Ioannis Apostoli A Censvra V. C. Ioannis Lami Sistere Et Insimvl Viro ... Domino M. Christiano Weisio S.S. Theolog. Baccal. ... Longe Meritissimo Theologiae Licentiato MDCCXXXVIIII D. XXVI. Avg. Lipsiae ... Observantia Gratvlari Volvit M. Georgivs Avg. Detharding, Rostoch. Megapol.
Get PDFVINDICIAS IOANNIS APOSTOLI A CENSVRA V. C. IOANNIS LAMI SISTERE ET INSIMVL VIRO ... DOMINO M. CHRISTIANO WEISIO S.S. THEOLOG. BACCAL. ... LONGE MERITISSIMO THEOLOGIAE LICENTIATO MDCCXXXVIIII D. XXVI. AVG. LIPSIAE ... OBSERVANTIA GRATVLARI VOLVIT M. GEORGIVS AVG. DETHARDING, ROSTOCH. MEGAPOL.
Vindicias Ioannis Apostoli A Censvra V. C. Ioannis Lami Sistere Et Insimvl Viro ... Domino M. Christiano Weisio S.S. Theolog. Baccal. ... Longe Meritissimo Theologiae Licentiato MDCCXXXVIIII D. XXVI. Avg. Lipsiae ... Observantia Gratvlari Volvit M. Georgivs Avg. Detharding, Rostoch. Megapol. (1)
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§. I. - XV. (5
Am Tage Der Sollennen Promotion, Sein Hoch-Edlen Hn. Georg. Wilhelmi Detharding, Juris Utriusque Licentiati und Advocati Ordinarii, Als Seines Geliebtesten Herrn Bruders, Welcher war den 28. August. Anno 1727. Wolte seine Freude ... abstaten Dessen Jüngster Bruder
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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Tēs meta Markon basileias historias biblia okto <dt.>
No full textIntermediärsprache: LateinAutopsie nach Exemplar der ULB Sachsen-AnhaltVorlageform des Erscheinungsvermerks: Copenhagen und Leipzig, Bey Otto Christoph Wentzel, 1747. - Kolophon: Altona, gedruckt mit Burmesterschen Schriften
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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