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    Actor, movement, space in Oskar Schlemmer‘s theatrical concept

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    The Theatre Concept of Bauhaus continued the main ideas of its founders. It found its shape in Oskar Schlemmer‘s ideas of triadic ballet, demonstrated in various theatrical experiments, which he directed as a leader of the theatre section of Bauhaus. His interest in the canons of movement led him to the concept of Design-in-Motion. The correlation, the color-sound movement of the actor in space is crucial to the comprehension of the overall impact on the senses of the spectator. It determines the concept of anti-mimetic theatre, which is inspired by dance and acrobatics. This theatre of the senses and ideas is based on the picture rather than the drama. It seeks for a holistic impact and metaphysical suggestions on the base of music, mechanics and mathematics. It renounces the drama, its linear narrative and the imitation. The analysis of the Bauhaus Theatre through the concepts of Oskar Schlemmer, shows their impact on contemporary dance, on Bob Wilson‘s theatre and performance

    Redirecting National Identification by the Communist Regime in Bulgaria 1944–1950

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    The following publication presents part of the author’s research carried out under the Advanced Academia Programme of the Centre for Advanced Study Sofia. This programme is supported by the America for Bulgaria Foundation, Stifterverband für die Deutsche Wissenschaft and the Fritz Thyssen Foundation

    How pandemic measures alter theatre as a social-symbolic practice

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    Theatre is a social-symbolic practice, in which a theatrical performance is just one part of these praxes. If the audience is not present in the theatre, this does not necessarily mean that the contact between the viewer and the subject of the stage no longer exists. Nor does their encounter begin with the start of the performance. How do the COVID-19-measures change the theatre as social-symbolic practice? And how do they influence, for instance, the choice of the plays and the actors, of the form and her reception

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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