1,722,210 research outputs found

    Derrida - Artaud

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    A conference on Antonin Artaud by Jacques Derrida. Seminar In homage to Antonin Artaud organised in New Delhi by the National School of Drama, Delhi University and the French Embassy, 23 January 1997.Conferencia de Jacques Derrida sobre Antonin Artaud. Seminario In homage to Antonin Artaud, organizado en New Delhi por National School of Drama, Delhi University y la Embajada de Francia, el 23 de enero de 1997.Conférence de Jacques Derrida sur Antonin Artaud. Séminaire In homage to Antonin Artaud organisé à New Delhi par National School of Drama, Delhi University et l'Ambassade de France, le 23 janvier 1997

    Le supplément de copule. La philosophie devant la linguistique

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    Derrida Jacques. Le supplément de copule. La philosophie devant la linguistique . In: Langages, 6ᵉ année, n°24, 1971. Épistémologie de la linguistique [Hommage à E. Benveniste] sous la direction de Julia Kristeva . pp. 14-39

    D'abord, je ne savais pas...

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    Derrida Jacques. D'abord, je ne savais pas.... In: Les Cahiers du GRIF, Hors-Sérien°3, 1997. Sarah Kofman. pp. 131-166

    No apocalypse, not now : à toute vitesse, sept missives, sept missiles (extraits)

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    Derrida Jacques. No apocalypse, not now : à toute vitesse, sept missives, sept missiles (extraits) . In: Les Cahiers du GRIF, n°41-42, 1989. L'imaginaire du nucléaire. pp. 79-83

    « Entre le corps écrivant et l'écriture... », entretien avec Daniel Ferrer

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    Derrida Jacques, Ferrer Daniel. « Entre le corps écrivant et l'écriture... », entretien avec Daniel Ferrer. In: Genesis (Manuscrits-Recherche-Invention), numéro 17, 2001. pp. 59-72

    Derrida and postmodernity: At the end(s) of history

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    This thesis erects and defends the proposition that Jacques Derrida's readings of 'metaphysics in deconstruction' and his raising to theoretical consciousness of the 'differential matrix', have the capacity to inaugurate a 'brave new world' in this postmodern 'age of the aporia'. Beginning with an examination of Derrida's readings of Husserl and Saussure, it is argued that the radical historicity uncovered here qua an originary synthesis of language, time and the other, opens the possibility for greatly more democratising and emancipating self-creations and human solidarities to be thought. In terms of 'self-creations', and borrowing from the work of Elizabeth Deeds Errnarth, Chapter Two follows Derrida as modernity's sovereign subject and its 'History' are dis-placed by an absolutely affirmative postmodern subjectivity whose axiom might be 'I inherit, therefore, I am ... yes, yes ... ' Construed through his deconstructive reading of Kant, Derrida shows the way in which this postmodern subjectivity without alibi, makes of us all (like it or not, know it or not) resistance fighters, so many singularities existing in constant tension with all normalising/totalising tendencies (social, economic, techno-scientific, political, legal etc ... ) which profess to know the secret. Turning to co-extensive 'human solidarities', Chapter Three subsequently demonstrates the way in which Derrida's call for a 'New International', orientated through a 'new figure of Europe', enables us to imagine new polysemic communities (local, national, international) founded on the 'aporia of the demos', a 'foundation' that construes its hyper-relativity as a positive (ethico-political) condition of decision in terms of a radical responsibility (on an individual and communal level) for the moral/aesthetic decisions we make. It is thus that I will argue that Derrida's vision for a 'new world order' is born out of an aporetic condition which is both a risk and a chance of both the best - and the worst - happening; as someone who shares Derrida's desire for a fairer, freer, more peaceful world, one respectful of difference and otherness, I believe this to be a 'poker like gamble' well worth taking. Chapter Four offers a comparative analysis between the work of Jacques Derrida and Jean Baudrillard, two theorists counter-signing differently many of the 'same' discourses/ traditions/cultures/languages, etc ... to which they are both heirs. The chapter examines their respective 'quasi-philosophies of the limit', together with their differing conceptions of the issues surrounding globalisation and universalisation, as well as Baudrillard' s elevation of America (as opposed to Europe) as the exemplary site of resistance against the dangers of totalisation in 'postmodem' societies. The central argument here, in line with my previous remarks, is that Derrida's thought arguably remains 'the best' way to navigate the postmodem condition and the challenges it produces. The originality of this thesis lies in two main areas, the first having to do with my presentation and conception of Derrida's oeuvre and the second having to do with the comparisons made in this study between Derrida and Ermarth and Derrida and Baudrillard. In terms of the former, I offer what I consider to be a unique, sustained, in-depth analysis of the 'development' (on a theoretical and practical level) of the thematics of 'radical historicity' and of 'post-historical man' - effectively the development of Derrida's quasi-philosophy of history- from his earliest works so that they can be seen to inform his later intervention(s) in what are conventionally understood as ethical and political matters; transforming this understanding in the process and, after the end of history's ends (upper case, lower case and the totalising 'history of meaning' per se), quite literally and radically changing the way we see what we call 'the world'. For while in the conventional literature Derrida's politics come late, I argue here that his indeed later political work is but an emphasis of constant political thematics acting as a leitmotif from beginning to end. Turning to the latter, in terms of the comparisons I make - first between Derrida and Ermarth in Chapter Two and more especially between Derrida and Baudrillard in Chapter Four - the claim to originality lies in the fact that there is no comparison of any note or depth in the literature between these thinkers; nothing that compares Derrida's 'affirmative postmodem subjectivity' and its 'inheritance' with Ermarth's 'rhythmic time' and 'muIti-level consciousness', and nothing comparing Derrida's corpus - specifically his optimistic emancipating and democratizing hopes for the future - with Baudrillard's more pessimistic conceptualization of 'simulation society' and the loss of our European universal values under the hegemonic, globalising movement of the 'American model'. The aim of these two comparisons is to support my claim that Derrida's historico-political position is the 'best' way of essaying the quasi-ground of an in(different) politics in such a way that it keeps the future open to what he calls a 'better world' to come, a world without ends

    Retóricas de la droga

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    Entrevista a Jacques Derrida.Autrement. No es Ud. un especialista en toxicomanía, sin embargo pensamos -y es un poco lo que presupone esta entrega- que, como filósofo, tenga algo que decir de interés para el campo propio, específico, de la toxicomanía. Así fuese a través de conceptos comunes, tales como dependencia", "libertad", "placer", "goce"

    Preface

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    With Stefan Herbrechter, co-translator (with of J series, ed. Werner Hamacher

    El teatro de la crueldad y la clausura de la representación

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    La. danza / y por lo consiguiente el teatro / no han comenzadoaun a existir", Estas palabras pueden leerse en uno de los últimos escritos de Antonin Artaud (EI Teatro de la Crueldad, en 84, 1948). Por cierto que en el mismo texto, un poco más arriba, el teatro de la crueldad es definido como "la afirmación / de una terrible / y por demás ineluctable necesidad". Artaud no c1ama, pues, por una destrucción, por una nueva manifestación de la negatividad. Pese a todo lo que ha de arrasar a su paso, "el teatro de la crueldad / no es el símbolo de un vacio ausente". Más bien, afirma, produce la propia afirmación en su rigor pleno y necesario. Pero también en su más oculto sentido, muy frecuentemente sepultado, distraído de si: por "ineluctable" que sea, esta afirmación no ha "comenzado aun a existir

    ‘Borne again in repetition’ : reincarnation, afterlives, and cultural memory in Amitav Ghosh’s The Calcutta Chromosome

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    The present article reads the social and cultural afterlives of a particular marginalised group in colonial Calcutta in Amitav Ghosh’s fourth novel The Calcutta Chromosome, and seeks to examine how these reconstructions of afterlives are linked with the ancient Indian philosophy of rebirth and reincarnation. This study seeks to understand the significance of body and ghost in reconstructing the afterlives and analyse the role of cultural memory throughout that process.peer-reviewe
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