1,721,073 research outputs found
Invecchiamento della popolazione e passaggi generazionali. IV QUESTIONI ECONOMICHE
No full textCuratel
Tra mercanti e mendicanti: amministrare la carità nella terraferma veneta del Rinascimento
No full textIntroduzione
No full textPur nella loro eterogeneità, è interessante notare come i contributi sinteticamente richiamati presentino un filo rosso che li unisce: relazioni, valori, etica e memoria sono infatti fattori che fanno tutti riferimento al dominio dell’uman
Uno sguardo d'insieme: il Veneto del rinascimento (1509-1630)
No full textIl saggio costituisce sia una sintesi complessiva delle problematiche affrontate nell'intero volume, sia un'interpretazione originale dei principali fenomeni storici, culturali e storico-architettonici relativi al territorio della Repubblica di Venezia dal 1509 al 1630
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Allevamento, transumanza, lanificio: tracce dall'alto e dal pieno Medioevo veneto
Full text linkAll the research on the Venetoâs medieval sheep farm are based on few evidences, provided mostly by written documentation (available just for the Veronese territory). Furthermore, the existence of mountain pasture on the Lessini, the possession of tools for the sheep shearing, inventories of possessions (including animals), archeozoological data (thanks to recent excavations) help to build a picture of the Veneto farming situation for the late Middle Ages. More problematic is, however, the reconstruction of the âmanufacturing processâ before the 12th and 13th centuries.
For the late Medieval ages the availability of documentation allowed, and still allows, more exhaustive researches on the Venetian Mainland sheep farm. These studies demonstrate a strong evolution of the wool mill, that became at this time a manufacture of international standards.
Despite that, it is difficult to interrelate information regarding the antique era and High Medieval Ages with those present for the following centuries, even if some elements of continuity are present and may suggest some kind of continuity. These elements of permanence may be found in a wide use of sedentary farming since the antique era to the Early Modern Ages (as demonstrated by some recent research for the Padua territory). Therefore, the sheep farm is characterised not only by transhumance, but even by sedentary raised herds
Storia dell'architettura nel Veneto. Il Cinquecento
No full textVolume che raccoglie una serie coordinata di saggi, da considerarsi esaustivo circa la storia dell'architettura veneta nel Rinasciment
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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