1,721,011 research outputs found

    The role of the feedforward paradigm in cognitive psychology

    No full text
    Feedforward control is a process adjusting behaviour in a continuative way. Feedforward takes place when an equilibrium state is disrupted and the system has to automatically retrieve the homeostatic stable state. It also occurs when a perturbation is previewed and must be eliminated in order to achieve a desired goal. According to the most general definition, a feedforward process operates by fixing the future representation of the desired state, the achieving of which stops the process. Then, feedforward works by means of the refinement determined by successive comparisons between the actual and target products. In its applications, a feedforward process is thought to be modulated by the subject's purpose and the environmental state. Over the years, the feedforward process has assumed different connotations in several contests of cognitive psychology. An overview of the research fields in psychology that significantly progressed with the introduction of a feedforward paradigm is provided by: (a) reviewing models in which the feedforward concept plays a fundamental role in the system control; (b) examining critical experiments related to the interaction of feedforward and feedback processes; (c) evidencing practical applications for some of the presented feedforward-based architectures. © Marta Olivetti Belardinelli and Springer-Verlag 2006

    A new method for detecting causality in fMRI data of cognitive processing

    No full text
    One of the most important achievements in understanding the brain is that the emergence of complex behavior is guided by the activity of brain networks. To fully apply this theoretical approach fully, a method is needed to extract both the location and time course of the activities from the currently employed techniques. The spatial resolution of fMRI received great attention, and various non-conventional methods of analysis have previously been proposed for the above-named purpose. Here, we briefly outline a new approach to data analysis, in order to extract both spatial and temporal activities from fMRI recordings, as well as the pattern of causality between areas. This paper presents a completely data-driven analysis method that applies both independent components analysis (ICA) and the Granger causality test (GCT), performed in two separate steps. First, ICA is used to extract the independent functional activities. Subsequently the GCT is applied to the independent component (IC) most correlated with the stimuli, to indicate its causal relation with other ICs. We therefore propose this method as a promising data-driven tool for the detection of cognitive causal relationships in neuroimaging data. © Marta Olivetti Belardinelli and Springer-Verlag 2005

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

    Full text link
    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Touching and “feeling” art. Multisensory communication of perspective-based paintings for inclusion

    No full text
    Visual impairment / visual arts... an impossible juxtaposition? Given the unlimited possibilities that modern technologies permit, today we cannot avoid a social inclusion-driven research for the fruition of paintings. As Rudolph Arnheim reminds us, art is the evocation of live in all its completeness, purity and intensity, therefore it should not allow barriers; it is then necessary to investigate solutions in order to bridge the gap between the visually impaired and the sighted in the enjoyment of painting. Moreover, in the case of artworks characterized by perspectiva artificialis, the task of reflecting on tactile and multisensory transpositions capable of guiding the blind user in the comprehension of the mechanisms of perspective belongs to the representation specialist. The image metaphorically suggests the need to work on multisensory communication strategies that could allow to “touch” and “feel” a painting centred on perspective. The aim is highly pedagogical: to communicate a perspectival painting, so that even those who normally re- late to art exclusively through sight will real- ize they are able to “see” more

    Lorem ipsum dolor. The text/image relationship in the process of producing analogue and digital graphics

    No full text
    This essay takes a practical viewpoint—that of a graphic designer, a creator of visual messages that assembles text and images in a single product—and examines case studies in which the type becomes an image using different methods depending on the context in which it is employed. The historical considerations are an opportunity to highlight how every graphic designer is required to develop their own personal approach to the text/image relationship, which is necessarily influenced by the period and the technologies used but also defined by their own personal creativity and graphical style, by their specific skills and expertise, as well as by the goals of the message

    Dispelling the Myths Behind First-author Citation Counts

    Full text link
    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
    corecore