1,720,962 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Harman on Mental Paint and the Transparency of Experience

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    Harman famously argues that a particular class of antifunctionalist arguments from the intrinsic properties of mental states or events (in particular, visual experiences) can be defused by distinguishing “properties of the object of experience from properties of the experience of an object” and by realizing that the latter are not introspectively accessible (or are transparent). More specifically, Harman argues that we are or can be introspectively aware only of the properties of the object of an experience but not the properties of the experience of an object and hence that the fact that functionalism leaves out the properties of the experience of an object does not show that it leaves out anything mentally relevant. In this paper, I argue that Harman’s attempt to defuse the anti-functionalist arguments in question is unsuccessful. After making a distinction between the thesis of experiencing-act transparency and the thesis of mental-paint transparency, (and casting some doubt on the former,) I mainly target the latter and argue that it is false. The thesis of mental-paint transparency is false, I claim, not because mental paint involves some introspectively accessible properties that are different from the properties of the objects of experiences but because what I call the identity thesis is true, viz. that mental paint is the same as (an array of) properties of the object of experience. The identification of mental paint with properties of the object of experience entails that the antifunctionalist arguments Harman criticizes cannot be rightly accused of committing the fallacy of confusing the two

    On the Very Idea of Undercutting Defeat

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    My aim in this paper is to cast doubt on the idea of undercutting defeat by showing that it is beset by some serious problems. I examine a number of attempts to specify the conditions for undercutting defeat and find them to be defective. Absent further attempts, and on the basis of the considerations offered, I conclude that an adequate notion of undercutting defeat is lacking

    The given in perceptual experience

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    How are we to account for the epistemic contribution of our perceptual experiences to the reasonableness of our perceptual beliefs? It is well known that a conception heavily influenced by Cartesian thinking has it that experiences do not enable the experiencing subject to have direct epistemic contact with the external world; rather, they are regarded as openness to a kind of private inner realm that is interposed between the subject and the world. It turns out that if one wants to insist that perceptual experiences provide epistemic reasons for perceptual beliefs about the external world as we pre-reflectively take it to be, then one should find a way of avoiding Cartesianism. Here are the two main aims of this paper: firstly, identify the premise that is doing the heavy-lifting work in the Cartesian thinking; and, secondly, formulate an adequate way of denying that premise. The adequacy I claim for my formulation of a way of denying the premise will roughly amount to this: the way I offer is not as susceptible to Cartesian traps as other apparently available ways of denying the premise are

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    At the Gates of Consciousness: Physicalism and Phenomenal Concepts

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    In this work, I have three related aims. First, I attempt to show that none of the popular responses to the Knowledge Argument works. The first chapter presents the Argument as it is originally proposed by Jackson and Nagel, clarifies the distinctions between two proposals, and identifies the core of the challenge it raises for physicalism. In the following two chapters, I show that "no-new-knowledge" and "new-knowledge/old-facts" responses to the Argument fail. My second aim is to develop an adequate account of phenomenal concepts. A widely held and influential idea is that phenomenal concepts, concepts under which we grasp the qualitative properties of our experiences, are epistemically and semantically special. In the fourth chapter, I provide an account that, I believe, captures the core of this special nature. On my account, phenomenal concepts are epistemically special in that our beliefs formed by the application of phenomenal concepts to our experiences are non-inferentially justified, and they are semantically special in that they are simple concepts that represent certain phenomenal properties without using any property other than those properties. In the fourth chapter, I also draw the logical implications of my account of phenomenal concepts with respect to the conceptual/non-conceptual distinctions, the "Myth of the Given", and the infallibility of phenomenal beliefs. My third aim, which is addressed in chapter five, is to provide a novel argument for property dualism on the basis of my account of phenomenal concepts. Instead of asking "how are phenomenal experiences possible in an entirely physical world?", I raise the question "how are phenomenal concepts possible in an entirely physical world?" This question accepts the invitation of our physicalist to ascend from the level of properties to the level of concepts but inquires whether such an ascent is of any help to the physicalist. I argue that ascending to higher levels only displaces the problem: phenomenal concepts are as problematic for physicalism as are phenomenal properties. I conclude that phenomenal concepts are not possible in an entirely physical world and, since we have phenomenal concepts, our world cannot be entirely physical

    Conditional Uniqueness

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    In this paper, I aim to do three things. First, I introduce the distinction between the Uniqueness Thesis (U) and what I call the Conditional Uniqueness Thesis (U*). Second, I argue that despite their official advertisements, some prominent uniquers effectively defend U* rather than U. Third, some influential considerations that have been raised by the opponents of U misfire if they are interpreted as against U*. The moral is that an appreciation of the distinction between U and U* helps to clarify the contours of the uniqueness debate and to avoid a good deal of talking past each other

    Consciousness: A Real Mystery

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