3,666 research outputs found
"Kein Kampf für Classenprivilegien und Monopole" zur Kategorie "Monopol" in der Kritik der politischen Ökonomie und zu ihrer Anwendung in moderner "Globalisierungskritik"
No full textThomas Sablowski, Judith Dellheim, Alex Demirovic, Katharina Pühl und Ingar Solty (Hrsg.): Auf den Schultern von Karl Marx, Münster, Westfälisches Dampfboot, 2021
No full textFisahn A. Thomas Sablowski, Judith Dellheim, Alex Demirovic, Katharina Pühl und Ingar Solty (Hrsg.): Auf den Schultern von Karl Marx, Münster, Westfälisches Dampfboot, 2021. Archiv für Rechts- und Sozialphilosophie. 2022;108(2):325-329
Erratum to: Chapter 8, 9 and 10 of Rosa Luxemburg: A Permanent Challenge for Political Economy Judith Dellheim and Frieder Otto Wolf
No full textStephanie Mathson interviews poet and author Judith Kerman
No full textPoet and author Judith Kerman talks about her experience as a Fulbright scholar in the Dominican Republic, her work translating poems by Cuban poet Dulce Mar\ueda Loynaz, learning Spanish, translating poems from Spanish, and her book "Retrofitting Blade Runner". Kerman is interviewed by Stephanie Mathson of the Michigan State University Libraries. Part of the MSU Libraries' Michigan Writers Series
Poet and author Judith Kerman reads her selected works at the Michigan Writers Series
No full textPoet and author Judith Kerman reads selected poems, including the English translation of poems by Cuban poet Dulce Mar\ueda Loynaz, and answers questions from audience. Kerman is introduced by Michigan State University Librarian Jeanne Drewes. Part of the MSU Libraries' Michigan Writers Series. Held in the Main Library
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Michel Foucault and Judith Butler: troubling Butler's appropriation of Foucault's work
No full textOne of the main influences on Judith Butler‘s thinking has been the work of Michel Foucault. Although this relationship is often commented on, it is rarely discussed in any detail. My thesis makes a contribution in this area. It presents an analysis of Foucault‘s work with the aim of countering Butler‘s representation of his thinking. In the first part of the thesis, I show how Butler initially interprets Foucault‘s project through Nietzschean genealogy, psychoanalysis and Derridean discourse, and how she later develops this interpretation in line with the progress of her own project. In the main part of the thesis, I present an analysis of Foucault‘s thinking in the period from The Archaeology of Knowledge (1969) to The History of Sexuality volume 1 (1976). This analysis focuses on the aspect of his work which has most influenced Butler‘s thinking: namely the notion of a relationship between knowledge, discourse and power. The other issues in his work which Butler addresses—genealogy, the subject, the body, abnormality, and sexuality—are discussed within this framework. I show how, in the early 1970s, Foucault develops the notion of power-knowledge, and sets out a relationship between power-knowledge and discourse which is overlooked by Butler. I argue that Butler interprets Foucaultian power through the notions of repression and social norms, and ignores the concepts of technology and strategy which form a key part of Foucault‘s thinking. I show how, from The Archaeology of Knowledge on, Foucault develops a socio-historical ontology and a genealogy of the subject, both of which are at variance with Butler‘s interpretation of his thinking
Taking Up the Challenge of Living Labour. A ‘Backwards-Looking Reconstruction’ of Recent Italian Debates on Marx’s Theory of the Capitalist Mode of Production
No full textThe following long-form essay argues, consistently and insistently,
from the point of view of the ‘process of capital as a whole’, Marx’s
‘kapitalistischer Gesamtprozess’, the object of theoretical analysis in
Volume III of Marx’s Capital. The chapter argues from the
point of view of the analysis and theoretical reconstruction
of the comprehensive process of the reproduction and accumulation
of capital, and does so by critically addressing current debates not only
among Marxists, but also with and among other critical theoretical
economists. A specific perspective is taken—that of a critical Italian economist within the broader Marxian tradition, with considerable openness to economists from other lines of scientific
thinking, like Piero Sraffa. Yet this latter specific perspective is best understood—
and, ultimately, judged—on the basis of what it is capable of
bringing to light
Cwbr Author Interview: Sex And The Civil War: Soldiers, Pornography, And The Making Of American Morality
No full textInterview with Judith Giesberg, author of Sex and the Civil War: Soldiers, Pornography, and the Making of American Morality Interviewed by Tom Barber Civil War Book Review (CWBR): Today the Civil War Book Review is pleased to speak with Judith Giesberg, Professor of History at Villanova Un...
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