1,721,991 research outputs found
Exportación de fibras de abacá hacia Filipinas por el puerto comercial de Esmeraldas
No full textHidalgo Delgado, Maria Isabel\; 'Exportación de fibras de Abacá hacia Filipinas por el puerto comercial de Esmeraldas' \; (x) 136 p. Tesis previa obtención del título de Ingeniera en Comercio ExteriorEl presente proyecto contribuye al desarrollo empresarial de la ciudad y provincia de Esmeraldas, y a todas las personas que desean realizar algún tipo de inversión, así como todos los procedimientos legales, aduaneros y portuarios para realizar exportaciones por el Puerto Comercial de Esmeraldas
Exportación de fibras de abacá hacia Filipinas por el puerto comercial de Esmeraldas
No full textHidalgo Delgado, Maria Isabel\; 'Exportación de fibras de Abacá hacia Filipinas por el puerto comercial de Esmeraldas' \; (x) 136 p. Tesis previa obtención del título de Ingeniera en Comercio ExteriorEl presente proyecto contribuye al desarrollo empresarial de la ciudad y provincia de Esmeraldas, y a todas las personas que desean realizar algún tipo de inversión, así como todos los procedimientos legales, aduaneros y portuarios para realizar exportaciones por el Puerto Comercial de Esmeraldas
"Other" Spanish Theatres: Erasure and Inscription on the Twentieth-Century Spanish Stage
No full text'Other' Spanish Theatres challenges established opinions on modern Iberian theatre in considering the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish, and European, stages. In examining the work of six carefully chosen case studies - Margarita Xirgu, Enrique Rambal, María Casares, Nuria Espert, Lluís Pasqual and La Cubana - Delgado offers a new interpretation of a nation's theatrical culture which has been viewed primarily through the prisms of a select number of revered playwrights. Offering a compelling case for the influence of Spanish practitioners on theatre in Europe and the Americas, the study focuses on the doing of performance, asking provocative questions around how performances are tested against the texts that remain
Spanish Theatre: Strategies in Protest and Imagination
No full textThis book is a special edition of Contemporary Theatre Review Volume 7 - Part 3: Spanish Theatre 1920-1995, which Maria M. Delgado Guest Edited.
Contents
Directors of the Twentieth Century Spanish Stage
by María Francisca Vilches de Frutos
Twentieth-Century Spanish Stage Design
by John London
The Function and Mission of Theatre: Ortega's 'Idea del teatro'
by Stephen G. H. Roberts
Enrique Rambal: The Forgotten 'Auteur' of Spanish Popular Theatre
by Maria M. Delgado (Item #638)
Spanish Sources of Fernando Arrabal's Theatre of the Grotesque: Goya, Valle-Inclán, and Buñuel
by Peter L. Podo
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The Unknown, the Unexpected and the Uncanny: A New Lorca, Three New Catalan Productions, and a Few Extras
No full textIn depth production reviews of El público (Àlex Rigola, Teatro de la Abadía, 2015) Els veïns de Dalt (Cesc Gay, Teatre Romea, 2015), Panorama desde el pont/A View from the Bridge (George Lavaudant, Teatre Romea, 2016), Infamià (Pere Riera, Teatre Villaroel, 2015), Hotel Paradiso (Familie Flöz, Teatre Lliure, 2016)
Federico Garcia Lorca
No full textImmortalized in death by The Clash, Pablo Neruda, Salvador Dalí, Dmitri Shostakovich and Lindsay Kemp, Federico García Lorca's spectre haunts both contemporary Spain and the cultural landscape beyond. Institutionalised as of one of the Spanish language’s most resonant dramatists, his plays have functioned as a complex signifier of Spain on the international stage. This innovative study of his plays – ranging from his largely unknown early works to his rural trilogy, considers both their performance histories and the performance indicators encoded within the texts. In delineating how performance has affected the ways in which we approach Lorca’s life as well as his work, this book considers the ways in which his short but eventful life has proved an enduring trope in reading his poetic and dramatic output. Covering a wide range of his plays, the study merges incisive textual analysis with performance histories that indicate the strategies used by directors when staging plays as formally and conceptually different as Blood Wedding and The Public. The book concludes by tracing the ways in which his life, death and poetry have been reconstructed through the performing and visual arts – in the poetry of his contemporaries; the canvases of Dalí; the laments of flamenco artists and rock icons like Camarón de la Isla, The Pogues and The Clash. Both a treatment of Lorca’s plays and their production histories and his status as a cultural icon, this study offers a fresh examination of one of the most significant figures in twentieth-century theatre
In Contact with the Gods?: Directors Talk Theatre
No full textIn 1994 the Arts Council of Great Britain brought together a number of theatre directors as part of the City of Drama celebrations. This is a collection of interviews and discussions with directors who have helped shape the development of theatre in the last 20 years. They include Peter Brook, Peter Stein, Augusto Boal, Jorge Lavelli, Lluis Pasqual, Lev Dodin, Maria Irene Fornes, Jonathan Miller, Jatinder Verma, Peter Sellars, Declan Donnellan, Ariane Mnouchkine, Ion Caramitru, Yukio Ninagawa and Robert Wilson. In addition to the art and craft of directing, there are discussions on multiculturalism; the "classical" repertoire; theatre companies and institutions; working in a foreign language; opera; Shakespeare; new technologies; the art of acting; design; international festivals; politics and aesthetics; the audience; and theatre and society. Finally, there is an epilogue by Peter Brook, Jonathan Miller and Oliver Sacks
Contemporary European Theatre Directors
No full textContemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past fifty years. It is a vivid account of the vast range of work undertaken in European theatre during this period, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s
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