1,720,962 research outputs found
“Names doing rounds”: On brands in the bazaar economy
Full text linkThis article draws on fieldwork form Delhi’s garment and electronics bazaars to articulate an alternative perspective on the role of brands in the global bazaar economy. Knockoffs and counterfeit brands have mostly been viewed as problematic manifestations of counterfeiting and piracy, or framed in terms of authenticity or marginal practices of imitation. In this article, we suggest that bazaar brands also function as central to a growing popular innovation system able to provide material goods as well as immaterial experiences to the world’s poorer consumers in ways that stay in close contacts with the mediated fluctuations of popular affects. Bazaar brands develop a unique relationship with consumers based on an ability to seize the moment rather than the creation of enduring loyalties. We suggest that bazaar brands can be understood as central to an emerging postcapitalist consumer economy that has been substantially empowered by the spread of digital technologies
Bazaar aesthetics: On excess and economic rationality
Full text linkFor more than a century, social theoretical writings on consumer culture and commodity aesthetics have concentrated on the world of capitalist commodities and commercial spaces: on brands, shopping malls and global media culture. Popular commodity aesthetics have had a marginal presence in the literature. However, today, as the popular masses are entering commercial culture to an unprecedented extent, through cheap electronics, ubiquitous internet connectivity and accessible knock-offs, popular commodity aesthetics have increased in importance. In this article, I use fieldwork in Delhi’s electronics bazaars to develop an inside perspective on the popular aesthetic of the bazaar. I argue that bazaars are characterized by excess: the excess of a seemingly chaotic architecture, household objects, and unhindered sociality. The excess is not simply a symptom of an underlying irrationality. It is deeply embedded in the social and economic life of bazaars and contributes towards the ability of small-scale commerce to endure and survive
For a Sociology of India - III: Three years into the pandemic: What changed in Delhi’s electronic bazaars
Full text linkThe initial impressions from Delhi’s Lajpat Rai Market, Palika Bazaar and Nehru Place have been that they integrated into the digital economy as suppliers and service providers to e-commerce platforms during COVID times. The increasing use of digital payments to boost online sales, including social media marketing on Facebook and YouTube, has also brought many of them inside a banking system. As a result, physical bazaars are now less about informal face-to-face commerce and operate more as repair hubs and ancillaries to a platform economy
Bazaars and Video Games in India
Full text linkThis article examines the history of video games in India through the lens of Delhi’s electronic bazaars. As many gamers shifted from playing Atari Games in the 1980s to PlayStation in the 2000s, we see a change in the role that the bazaars play. Throughout the 1980s and 1990s, the bazaars were the crucial channels of smuggling video games into India. In the 2000s, the bazaars face competition from official channels. Increasingly, the branded showrooms and online market attract elite consumers who can afford to buy the latest original video game. I argue that, while in the twenty-first century, the electronic bazaars have seen a decline in their former clientele, they now play a new role: they have become open places through the circulation of “obsolete” video games, and the presence of a certain bazaari disposition of the traders. The obsolete games in the form of cartridge, cracked console, and second hand games connect video games to people outside the elite network of corporate and professional new middle class. This alongside the practice of bargaining for settling price creates dense social relationships between a trader and a consumer
A Note on Bazaar Consumer Collectives
Full text linkThis commentary forwards the bazaar consumer collective as a distinct way to view popular consumer sociality. Instead of just building social relations through a particular commodity or brand, bazaar consumer affinities emerge by “grabbing” the moment of potentiality. This commentary argues that what defines bazaar consumerism is about getting onto a trend very quickly through ad hoc and informal production networks. Unlike in previous analysis of popular consumer cultures, bazaar consumerism is no more about aspiring toward upper-class consumption; it is about encapsulating whatever is trending in their environment. A loose bazaar consumer collective gets formed by the possibilities of wearing garments that are thoroughly capturing the moment, not about wearing a specific brand. By this logic, bazaar consumerism is an act of mimesis of decentering corporate discourse at one level and introducing copies as new symbols at the other end
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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