1,720,975 research outputs found

    Debora Tonelli, Il Decalogo. Uno sguardo retrospettivo (coll. Scienze religiose. Nuova serie, 25), 2010

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    Di Pede Elena. Debora Tonelli, Il Decalogo. Uno sguardo retrospettivo (coll. Scienze religiose. Nuova serie, 25), 2010. In: Revue théologique de Louvain, 43ᵉ année, fasc. 3, 2012. pp. 423-424

    Debora Tonelli, Il Decalogo. Uno sguardo retrospettivo (coll. Scienze religiose. Nuova serie, 25), 2010

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    Di Pede Elena. Debora Tonelli, Il Decalogo. Uno sguardo retrospettivo (coll. Scienze religiose. Nuova serie, 25), 2010. In: Revue théologique de Louvain, 43ᵉ année, fasc. 3, 2012. pp. 423-424

    Attraverso il prisma della cittadinanza

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    Recensione di Debora Tonelli (a cura di), Fra kòsmos e pòlis: identità e cittadinanza da una prospettiva mediterranea, Jouvence, Milano, 202

    La fraternité del 1793 e la fratellanza : differenze e compatibilità filosofiche, sull’enciclica di Papa Bergoglio

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    Il motivo conduttore dell’enciclica papale Fratelli tutti del 2020 è la ripresa di una tematica classica nella tradizione politica rivoluzionaria moderna, a partire dalla grande Rivoluzione del 1789, passando per la Costituzione del 1848, fino alla Dichiarazione dei diritti dell’uomo e del cittadino di un secolo successiva (1948). È il tema della "fraternité", l’ultima delle tre famose ingiunzioni divenute la “divisa” della Repubblica francese, inscritta nella Costituzione del 1958: "Libertà, Egua- glianza, Fraternità!" La prima considerazione da avanzare, riguardo la posizione del problema offerta dall’enciclica, è che la nozione papale, francescana, di fratellanza appartiene, com’è ovvio, anzitutto al dominio della morale e della religione; la nozione di fraternità – termine più raro nell’italiano corrente – uscita da una vicenda rivoluzionaria di oltre due secoli, appartiene al dominio della politica e del diritto. Vediamone dunque le differenze e le affinità, le compatibilità concettuali e pratiche.The leitmotif of the 2020 papal encyclical Fratelli tutti is the revival of a classic theme in the modern revolutionary political tradition, starting with the great Revolution of 1789, passing through the Constitution of 1848, up to the Declaration of the Rights of Man and of the Citizen a century later (1948). This is the theme of 'fraternité', the last of the three famous injunctions that became the 'uniform' of the French Republic, inscribed in the 1958 Constitution: "Liberty, Egua- lity, Fraternity!" The first consideration to be made, regarding the position of the problem offered by the encyclical, is that the papal, Franciscan notion of brotherhood belongs, of course, first and foremost to the domain of morality and religion; the notion of fraternity - a term rarer in current Italian - emerging from a revolutionary event of over two centuries, belongs to the domain of politics and law. Let us therefore see the differences and affinities, the conceptual and practical compatibilities

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Violence, Chaos and Theophany in Habakkuk 3

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    Divine violence often causes scandal, since the current image of divinity is one-dimensional, focused on features such as mercy, justice, forgiveness, etc. In reality, the Bible – First and New Testaments – is not afraid to present many faces of God, even those that are scandalous to us. The aim of this paper is to show the role of divine vio- lence in restoring order in the cosmos through the analysis of one of the most complex texts of the First Testament: Abakkuk 3. The restoration of the cosmic order is also the restoration of good and earthly justice. It is evident, however, that the world of the con- temporary reader is different from that of the author and his readers: textual analysis shows the distance that separates them and, at the same time, opens up a space of issues that solicits numerous questions about our way of place ourselves in front of religion and the divine, on our presuppositions and our expectations
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