61 research outputs found
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The IP Law Book Review, v.5 #2
No full textPUTTING INTELLECTUAL PROPERTY IN ITS PLACE – RIGHTS DISCOURSES, CREATIVE LABOR AND THE EVERYDAY, by Laura Murray, S. Tina Piper and Kirsty Robertson. Reviewed by Luke McDonagh, Cardiff University Law School.
INTELLECTUAL PROPERTY, INDIGENOUS PEOPLE, AND THEIR KNOWLEDGE by Peter Drahos. Reviewed by Ruth L. Okediji, University of Minnesota Law School.
THE STATE OF COPYRIGHT: THE COMPLEX CULTURAL CREATION IN A GLOBALIZED WORLD, by Debora J. Halbert. Reviewed by Sara Bannerman, Department of Communication Studies and Multimedia, McMaster University
The IP Law Book Review, v.5 #2
No full textPUTTING INTELLECTUAL PROPERTY IN ITS PLACE – RIGHTS DISCOURSES, CREATIVE LABOR AND THE EVERYDAY, by Laura Murray, S. Tina Piper and Kirsty Robertson. Reviewed by Luke McDonagh, Cardiff University Law School.
INTELLECTUAL PROPERTY, INDIGENOUS PEOPLE, AND THEIR KNOWLEDGE by Peter Drahos. Reviewed by Ruth L. Okediji, University of Minnesota Law School.
THE STATE OF COPYRIGHT: THE COMPLEX CULTURAL CREATION IN A GLOBALIZED WORLD, by Debora J. Halbert. Reviewed by Sara Bannerman, Department of Communication Studies and Multimedia, McMaster University
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Free Culture and the Digital Library Symposium Proceedings 2005
No full textThis book of proceedings includes seventeen papers from a symposium held at Emory University. The symposium papers discuss subjects relating to free culture in digital libraries
The labor of creativity: Women's work, quilting, and the uncommodified life
No full textQuilting is an area of creative work rich in tradition that demonstrates how ideas and inspiration flow between quilters as they share with each other, move to new parts of the country, and develop their own designs. While commercial patterns have been copyrighted, quilting has generally existed under the radar of copyright law, primarily because quilts are most often exchanged within a gift economy. However, as quilting becomes big business and patterns and pattern books are more centrally located in quilting culture, issues associated with copyright protection emerge. This article investigates the relationship between copyright law, innovation, and sharing as it is understood by quilters who responded to an online questionnaire. Survey participants feel that quilting is a creative activity in which copyright plays a very small role, except when it restricts the actions of quilters. The survey suggests that respondents see quilting as creating a connection between themselves, their families, and their communities. Their creative work, in other words, is a gift they want to share, not a product they want to sell
A comparative analysis of two different analysers used for determination of the Total Organic Carbon in pharmaceutical grade water
No full textTotal Organic Carbon (TOC) is a routine test for pharmaceutical grade water. Several manufacturers supply equipment of different designs but there is a dearth of published, peer-reviewed, information evaluating the various analysers. In this study, we compared two TOC analysers, both validated to the same pharmacopoeial criteria, but with different oxidation and detection methods. The results in this paper show that there were no unexplained out-of-specification results and that both analysers operated equivalently in terms of the pharmacopoeial 500ppb pass/fail limits. However, significant differences between the TOC levels reported from paired samples were observed, two paired samples recorded a pass/fail conflict (albeit flagged with an overestimation warning), as well as differences in analyser responses between spiked samples that contained low levels of nitro- and chloro-carbon compounds
Domain-independent programming by demonstration in existing applications
No full textThis paper describes Familiar, a domain- independent programming by demonstration system for automating iterative tasks in existing, unmodified applications on a popular commercial platform. Familiar is domain- independent in an immediate and practical sense: it requires no domain knowledge from the developer and works immediately with new applications as soon as they are installed. Based on the AppleScript language, the system demonstrates that commercial operating systems are mature enough to support practical, domain- independent programming by demonstration – but only just, for the work exposes many deficiencies
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Intellectual property in the information age ::the politics of expanding ownership rights /
No full textPublic lives and private communities: The terms of service agreement and life in virtual worlds
No full textThis paper argues that the terms of service (TOS) agreements, also sometimes referred to as end user license agreements (EULAs), governing virtual worlds have important implications for the political and legal structures under which our virtual selves will function. This essay will focus on four key political concepts central to all TOS agreements studied. These concepts include contract language governing speech codes, intellectual property rights, privacy, and the relationship of the gaming world to the real world. If indeed these agreements offer governing constraints for people functioning in virtual spaces, then not only should their anti–democratic construction be considered, but as people spend more time in virtual worlds, these structures will become increasingly important to many aspects of our virtual identities
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The state of copyright ::the complex relationship of cultural creation in a globalized world /
No full text"This book seeks to make an intervention into the ongoing debate about the scope and intensity of global copyright laws. While mapping out the primary actors in the context of globalization and the modern political economy of information ownership, the argument is made that alternatives to further expansion of copyright are necessary. By examining the multiple and competing interests in creating the legal regime of copyright law, this books attempts to map the political economy of copyright in the information age, critique the concentration of ownership that is intrinsic in the status quo, and provide an assessment of the state of the contemporary global copyright landscape and its futures. It draws upon the current narratives of copyright as produced by corporate, government, and political actors and frames these narratives as language games within a global political project to define how information and culture will be shared and exchanged in the future. The text problematizes the relationship of the state to culture, comments on the global flows of culture, and critiques the regulatory apparatus that is in place to commodify culture and align it with the contemporary nation-state. In the end, the possibility of non-commodified and more open futures are explored. The State of Copyright will be of particular interest for students and scholars of international political economy, law, political science, anthropology, sociology, cultural studies, library sciences, and communication studies. It also will appeal to a growing popular audience that has taken an interest in the issues of copyright."-
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