1,721,295 research outputs found

    Une épigraphie au-delà des supports : affiches et écriteaux

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    Debiais Vincent. Une épigraphie au-delà des supports : affiches et écriteaux. In: Bulletin Monumental, tome 176, n°3, année 2018. p. 256

    À propos des plates tombes à effigie de Narbonne

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    Debiais Vincent. À propos des plates tombes à effigie de Narbonne. In: Bulletin Monumental, tome 172, n°4, année 2014. pp. 339-340

    Cher

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    Ingrand-Varenne Estelle, Debiais Vincent, Favreau Robert, Michaud Jean, Treffort Cécile. Cher. In: Ingrand-Varenne Estelle, Debiais Vincent, Favreau Robert et al. Cher. Paris : CNRS Editions, 2016. 0 p. (Corpus des inscriptions de la France médiévale, 26

    Indre, Indre-et-Loire, Loir-et-Cher

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    Debiais Vincent, Ingrand-Varenne Estelle. Indre, Indre-et-Loire, Loir-et-Cher. Paris : CNRS Editions, 2014. 0 p. (Corpus des inscriptions de la France médiévale, 25

    Indre, Indre-et-Loire, Loir-et-Cher

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    Debiais Vincent, Ingrand-Varenne Estelle. Indre, Indre-et-Loire, Loir-et-Cher. Paris : CNRS Editions, 2014. 0 p. (Corpus des inscriptions de la France médiévale, 25

    Cher

    No full text
    Ingrand-Varenne Estelle, Debiais Vincent, Favreau Robert, Michaud Jean, Treffort Cécile. Cher. In: , et al. Cher. Paris : CNRS Editions, 2016. 0 p. (Corpus des inscriptions de la France médiévale, 26

    Quacktrap: Glosses and multilingual animal contact in the Tretiz by Walter of Bibbesworth

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    In the Tretiz by Walter of Bibbesworth, the words used to refer to animals and the sounds that they make, some of which express an interest in onomatopoeia, homophony, repetition, and rhyme, offer tantalising examples of the types of contact and encounter between humans and animals in the Middle Ages made possible through sound description. Readers of this text, composed in the thirteenth century, are encouraged to question what they consider to be ‘natural’ language and noise, through comparisons made between French words and English glosses of these words in the same text. In turn, conceptualisations of animals, shaped in some cases through nonsensical wordplay and word association, destabilise medieval notions of what exactly constitutes a ‘word’. In this chapter are considered the ways that glosses in the Tretiz bring to our attention textual forms of contact between humans, animals and birds, inviting readers to consider sound from the perspective of the non-human. Reading the text as a form of contact zone between the human and the non-human, the author draws on parallels between linguistic forms of dominance, hierarchy, and mastery in English and French contexts to highlight the ways that words describing non-humans and their sounds destabilise fixed notions of what constitutes language, as well as fixed preconceptions about the distinction between humans and non-humans

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    L'inscription 'palimpseste' du château de Larnaca. Tour de force méthodologique interdisciplinaire

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    The four historiated columns belonging to the ciborium of Saint Mark in Venice, are reexamined with a highly critical approach which will reopen the debate about the controversial chronology of these very elaborated sculpture
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