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Four correspondences from Dean H. Vickers to state representatives regarding a biased law for school tax exemptions
No full textFour correspondences from Dean H. Vickers to Bill Harrison, Arnold Gonzales, Hugo Berlanga, and Carlos Truan regarding $10,000 school tax exemptions for persons under social security law. Vickers explains that he voted for it when it read as read-disabled persons and would have voted against if he knew it would be implemented as a biased law. He asks for a response and will report it or a lack of response to his local Disabled Veterans chapter
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Hugo Berlanga responds to Dean H. Vickers regarding the definition of “disabled person” in regards to eligibility standards for tax exemption
No full textHugo Berlanga, Texas State House of Representatives, writes to Dean H. Vickers responding to their previous conversation and correspondence regarding the eligibility standards for the tax exemption provided disabled persons. The Attorney General issued an Opinion that the intended definition was for the Federal Old-Age, Survivors, and Disability Insurance Program. He relays that the Legal Division in the Comptroller's Office should come out with a report within one to two weeks
Dean, H A, VX140
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/381277Surname: DEAN. Given Name(s) or Initials: H A. Military Service Number or Last Known Location: VX140. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 7243.197294
Item: [2016.0049.13570] "Dean, H A, VX140
Dean H. S. Somers (back to camera) with unidentified group
No full textWritten on back: Dean H. S. Somers lighting one of Jim\u27s candle
Dean, H J (Hollister James), SX5282
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/381272Surname: DEAN. Given Name(s) or Initials: H J (HOLLISTER JAMES). Military Service Number or Last Known Location: SX5282. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 51454.197289
Item: [2016.0049.13565] "Dean, H J (Hollister James), SX5282
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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