1,763,017 research outputs found
THE PERCEPTUAL EFFECT OF AIR SACS
No full textThis paper presents work on air sacs that extends the work presented by de Boer, (2008a). In that paper, and before (Fitch, 2000) air sacs were identified as a likely feature of our evolutionary ancestors that may have been lost because of the evolution of speech. In the mean time, a more accurate understanding of air sac acoustics has been achieved (de Boer, 2008b; Riede et al., 2008). Ape-like air sacs modify the acoustics of a vocal tract in three ways: they add a lowfrequency resonance (near the resonance frequency of the air sac itself), they shift up the resonances of the vocal tract without the air sac, and they shift these resonances closer together. The question that is addressed in the present paper is how these changes influence perception of the difference between vocalizations
Zwervend op zoek naar walvissen (interview met Marijke de Boer)
No full textOnderzoeker Marijke de Boer lift op eigen initiatief mee met gewone schepen Aan dek doet ze belangrijk walvisonderzoek Ze betaalt haar reizen met foto’s of inspectiewer
Interview with Prof. Karin de Boer
No full textIn this interview, conducted by Mahdi Ranaee, Professor Karin de Boer discusses key aspects of her research in Kantian philosophy, with a particular focus on the Critique of Pure Reason and its historical context. She reflects on the interpretive challenges posed by Kant’s texts, the influence of German Idealism, and her methodological approach to philosophical scholarship. The conversation also touches on the contemporary relevance of Kant’s thought and the importance of situating his work within broader philosophical traditions
A Conversation with Tob de Boer
No full textThis video is an interview with de Boer Tob; it was recorded October 7, 2013 at Kendal at Ithaca.1_dbdysz8
de-Boer-Lab/MAUDE: Latest R version release v1.0.2
No full text<p>Changes to the <code>order()</code> function necessitated this release.</p>
Veiled Intents with Julia de Boer and Natasha Duquette
No full textCritical Faith is back in 2018! Dr. Natasha Duquette of Tyndale University joins ICS Junior Member Julia de Boer to explore Duquette's book Veiled Intent (Wipf and Stock, 2016). They discuss feminine biblical hermeneutics from the 19th Century, Kant and his female interlocutors, and Jane Austen. From Duquette’s work we are ushered into an understudied area of Christian theological history, and learned to look for scriptural exegesis in unexpected places
de-Boer-Lab/MAUDE: Release including BACH2 reanalysis code and data
No full textNo major changes to code base. Some changes to documentation and vignettes
Slow Fashion and Creative Counter-Activity with Julia de Boer
No full textCan fashion make a difference to the world?
This week, ICS PhD student and resident avid knitter Julia de Boer shares some of her personal experiences and reflections on the importance of slow fashion as a mode of resistance. In this episode, she describes some of the far-reaching ecological and political effects of our fashion choices and considers how slow fashion offers a tangible way to live justly and act aesthetically in the world
There is so much you can learn from another culture
No full textJenny de Boer was recently awarded the Delft University Fund’s ‘Marina van Damme’ grant for talented female TU Delft alumni. She intends to spend the \u809,000 prize on a Master’s programme in cultural anthropology
Graduate recital, choral conducting. De Boer, James, 1983
No full textRecorded during a live performance at Kanley Chapel, Western Michigan University, Kalamazoo, Michigan, May 11, 1982, the 354th concert of the School of Music’s 1981-1982 season.Zeeland High School Madrigal, James De Boer, conductor ; Mary Kingshott, accompanist.In partial fulfillment of the requirements of the Master of Music degree in choral conducting, Western Michigan University, 1982.Information from performance program.Music of the Renaissance and Baroque: -- Psallite / Michael Praetorius -- Surely He hath borne our griefs / Karl Heinrich Graun -- She is so dear / Michael Praetorius -- Werfet Panier auf im Lande (Wave all the flags in the country) / George Philipp Telemann -- Music of the classic period: -- Kyrie (from Mass in G) / Franz Schubert -- David's lamentation / William Billings -- Gloria (from the Heiligmesse) / Franz Joseph Haydn -- Music from the Romantic period: -- Grant us thy peace / Felix Mendelssohn -- Cantique de Jean Racine / Gabriel Fauré -- Music of the twentieth century: -- Non-lullaby / Brock McElheran -- Sing my soul / Ned Rorem -- Make a joyful noise unto the Lord / William Mathias
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