1,722,594 research outputs found
A methodological study on the projects developed by the Cologne Center for Humanities (CCeH)
No full textThis paper exposes the modus operandi in creating digital cultural entities (DCE) by an international academic reality, notably the Cologne Center for eHumanities (CCeH), after spending a semester studying in the centre in question. Firstly, an explanation of the mechanisms and methodologies implemented
in the digital creation of cultural resources will be provided. Subsequently, the development and preservation methods of digital entities will be analysed. The CCeH dedicates its activities to academic research projects. The main goal is to support teaching and learning, reflecting on specific areas of study by implementing the methodology and processes that manage technology in the cultural field. Once the intent, the goals and the results are explained, some good practices dedicated to creating new digital cultural artefacts are underlined. It is also considered the impact of awareness that the digital entities created produce, more or less consciously, on the users, who are provided with different levels of digital alphabetisation. In particular, how the final user will have specific importance in the design of projects will be shown: changing the user’s destination means carefully pondering the interaction with the digital creation, with particular attention dedicated to the achievable goal.This work exposes the modus operandi in creating digital cultural entities (DCE) by an international academic reality, notably the Cologne Center for eHumanities (CCeH), after spending a semester studying in the centre in question. Firstly, an explanation of the mechanisms and methodologies implemented in the digital creation of cultural resources will be provided. Subsequently, the development and preservation methods of digital entities will be analysed. The CCeH dedicates its activities to academic research projects. The main goal is to support teaching and learning, reflecting on specific areas of study by implementing the methodology and processes that manage technology in the cultural field. Once the intent, the goals and the
results are explained, some good practices dedicated to creating new digital cultural artefacts are underlined. It is also considered the impact of awareness that the digital entities created produce, more or less consciously, on the users, who are provided with different levels of digital alphabetisation. In particular, how the final user will have specific importance in the design of projects will be shown: changing the user's destination means carefully pondering the interaction with the digital creation, with particular attention dedicated to the achievable goal
SAN NICOLÁS DE BARI [Material gráfico]
Full text linkLA ERMITA DE SAN NICOLÁS DE BARI SE ENCUENTRA LOCALIZADA EN SARDINA DEL SUR, FUE CREADA EN 1814.PROCESIÓN DE SAN NICOLÁS DE BARI EN SARDINA DEL SUR.Copia digital. Madrid : Ministerio de Educación, Cultura y Deporte. Subdirección General de Coordinación Bibliotecaria, 201
San Nicolás de Bari
No full textCapilla del Cristo de la Paciencia.-Anónimo Español.- Cuadro de medianas proporciones donde figura San Nicolás de Bari, ataviadocon los atributos episcopales: mitra, báculo y capa pluvial. En el ánguloinferior izquierdo aparece una tina con tres niños, suColegiata de los Santos Justo y PastorFondo de Recuperación Next Generation E
San Nicolás de Bari.
No full textNave del evangelio.-Grande, Francisco Agustín.- San Nicolás de Bari viste de Obispo con casulla ancha. En la parte derechade la composición aparece la mitra y el báculo. Lleva como atributo personal tres bolas de oro. A su derecha, un barreño con tres ni
San Nicolás de Bari.
No full textNave del evangelio.-Grande, Francisco Agustín.- San Nicolás de Bari viste de Obispo con casulla ancha. En la parte derechade la composición aparece la mitra y el báculo. Lleva como atributo personal tres bolas de oro. A su derecha, un barreño con tres niños
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
L'Émail de Saint-Nicolas de Bari
No full textBertaux Émile. L'Émail de Saint-Nicolas de Bari. In: Monuments et mémoires de la Fondation Eugène Piot, tome 6, fascicule 1, 1899. pp. 61-90
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