34,909 research outputs found

    James L. Dawson Civil War letter

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    This collection contains a letter written by James L. Dawson to his sister while he was serving aboard the US

    James & Maude Dawson Letter

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    A letter sent by James and Maude Dawson, mother of Milton Dawson, from Greenville, South Carolina on October 4, 1943 to the First Christian Church of Morehead, Kentucky.https://scholarworks.moreheadstate.edu/mfcc_ww2_letters/1070/thumbnail.jp

    The historical imagination of Christopher Dawson

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    Christopher Dawson (1889-1970) was one of his generation's most important historians and religious thinkers, and was a significant influence on many contemporaries including T.S. Eliot, C.S. Lewis, and Russell Kirk. This dissertation is a study of his most fundamental ideas concerning history and culture. Chapter one examines Dawson’s sociological view of history. Convinced that history was more than a scientific enterprise, he believed that the true historian is one who reaches beyond the material world to understand the essence of history’s dynamics. In this way, the world can be conceptualized as a united whole, separated by regional differences as a result of environment, race, material, psychological, and religious factors. Dawson believed that the political histories of the past several centuries failed to grasp the undercurrents of historical change, and that the best way to understand the past is to appreciate culture as an expression of primeval religious traditions. Chapter two treats Dawson’s understanding of progress. Dawson was convinced that progress had become the “working-religion” of our age. This secular faith, founded on scientific rationalism, first pledged to fix the material failures of Western culture, but unwittingly eroded its faith in God, and eventually, its moral fiber. Dawson believed that true progress was progress of the soul in its ordering toward the Creator. Chapter three is a study of Dawson’s Christian, and more specifically, his Catholic beliefs. Informed by religion, his historical and cultural visions are not dogmatic, nor are they polemical. He conceived of history as the unfolding of a divine economy in the temporal world. Although Dawson is a proponent of Roman Catholicism, his scholarship is an objective treatment of history shaped by an undisguised, Christian worldview. Additionally, the appendix is an introduction to Dawson’s life and the circumstances surrounding his conversion to Roman Catholicism. Particular attention is paid to the development of his moral and historical imagination — both of which became intertwined to form the basis of all of his scholarship

    Interview with Ian Dawson

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    Artist Boss presents a series of illustrated interviews with Anthony Caro's (1924-2013) studio assistants and critical essays that explore the role of artists' assistants to raise questions concerning the status of production, originality, authenticity, and authorship within the tradition of twentieth-century British sculpture. From varied backgrounds, the assistants' responses illustrate the different ways in which the evolution of sculptural language has been negotiated. They provide immediate access to artists' thought processes and an insight into the complexity of changing roles. Collectively they reflect and offer a range of perspectives on the frequently contentious and widely discussed role of the artist s assistant and modes of sculptural production. Contributors include: Anthony Caro, Guy Martin, James Wolfe (US), Willard Boepple (US), Andre Fauteux (Canada), John Gibbons, Jon Isherwood (US), Shaun Cassidy (US), Ian Dawson, Beth Cullen-Kerridge, Gavin Morris, Tim Peacock, Hywel Livingstone, Jonathan Gilderleeves, William Fausset, Patrick Cunningham, Olivia Bax, Neil Ayling & John Wallbank. Forewords by Tim Marlow and Karen Wilkin Essays by Jenny Dunseath and Mark Wilsher, Dr Michael Petry, Prof K P Cross and Sam Cornis

    Dawson, David James, WX10989

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/381049Surname: DAWSON. Given Name(s) or Initials: DAVID JAMES. Military Service Number or Last Known Location: WX10989. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 26981.195747 Item: [2016.0049.13342] "Dawson, David James, WX10989

    Profile of route by the Grand Portage and Pigeon River from Lake Superior to Rainy Lake ; Profile of route between Lake Superior and Rainy Lake by the Kaministiquia and Riviere la Seine / [signed] S.J. Dawson, C.E. in charge Red River Expedition. Related titles Related to : Dawson, S.J. (Simon James), 1820-1902. Report on the exploration of the country between Lake Superior and the Red River settlement. (Simon James), 1820-1902. Report on the exploration of the country between Lake Superior and the Red River settlement.

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    Summary Elevation profiles of two routes connecting Lake Superior and Rainy Lake in northwestern Ontario, each via a series of waterways and portages. Notes Likely detached from: Dawson, S.J. (Simon James), 1820-1902, author. Report on the exploration of the country between Lake Superior and the Red River settlement : and between the latter place and the Assiniboine and Saskatchewan / by S.J. Dawson, Esquire, C.E. Map theme: Land Use, Land Cover. Related Work Dawson, S. J. (Simon James), 1820-1902. Report on the exploration of the country between Lake Superior and the Red River settlement.ColorScale 1:253,440. 4 miles to 1 in. Vertical scale 1:2,400. 200 ft. to 1 in. (W 92°38ʹ--W 89°31ʹ/N 48°31ʹ--N 47°58ʹ). Scale 1:253,440. 4 miles to 1 in. Vertical scale 1:2,400. 200 ft. to 1 in. (W 92°44ʹ--W 89°11ʹ/N 48°49ʹ--N 48°18ʹ)

    Yerkes, Dawson Oral History

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    Recorded oral history of Dawson Yerkes and his looking back and recalling events and experiences in Monroe, Michigan

    Tilt Trucks

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    Work first exhibited in ‘Ian Dawson’ April 4th - May 24th 2003 at Grand Arts, a solo show, produced with finanancial assistance from the Margaret Hall Silva Foundation 10 works were shown. Then Exhibited at ‘Tilt Trucks and Free Fliers’, a solo show at the James Cohan Gallery, June 26th - August 8th 2003. 7 works Exhibited

    James Findlay letter to Moses Dawson

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    Letter from Findlay (Washington) to Dawson (Cincinnati, Ohio) enclosing thirty-five dollars. Findlay discusses a collection for Dawson\u27s patriotic purpose and comments that a pamphlet concerning Mrs. Jackson is all over the country.https://www.exhibit.xavier.edu/dawson_correspondence/1043/thumbnail.jp

    Lucille A. Dawson, (1958), purchased by James Dawson on May 1, 1959

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    Documents regarding the purchase of a single headstone for Lucille Ann Dawson (1958), by James Dawson. Material used was Red Missouri granite, with blown Vermarco letters on a steel panel. Crosses are inscribed on each side of the name. Rubbing included. The marker was placed at Calvary Cemetery, Lot 22, Section 30, in Toledo, Ohio
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