1,722,218 research outputs found
A deterministic approach to optimal stopping with application to a prophet inequality
No full textDavis, Mark H.A.. (1993). A deterministic approach to optimal stopping with application to a prophet inequality. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/2435
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[Letter from Vicki J. Rosenberg to D. Jack Davis, Mark Elder and R. William McCarter, January 31, 1990]
No full textA letter from Vicki J. Rosenberg to D. Jack Davis, Mark Elder and R. William McCarter about informing the trio that their revised project budget has been approved
At Jabiluka, never have so few...
No full texttag=1 data=At Jabiluka, never have so few....
tag=2 data=Davis, Mark
tag=3 data=Business Review Weekly,
tag=6 data=July 9, 1999
tag=7 data=34-35.
tag=8 data=MINES & MINERALS%ABORIGINAL CULTURE%URANIUM
tag=9 data=ERA%ENERGY RESOURCES OF AUSTRALIA%RANGER%JABILUKA%MIRRAR%GAGUDJU ASSOCIATION%ROYALITIES
tag=10 data='Frustration is mounting among Aborigines because traditional owners continue to oppose construction of the uranium mine.'
tag=13 data=V/F'Frustration is mounting among Aborigines because traditional owners continue to oppose construction of the uranium mine.
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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[Letter from Vicki J. Rosenberg to D. Jack Davis, Mark Elder and R. William McCarter, April 27, 1992]
No full textA letter from Vicki J. Rosenberg to D. Jack Davis, Mark Elder and R. William McCarter informing the trio that their grant from The Getty Center for Education in the Arts has been approved for the North Texas Institute for Educators on the Visual Arts
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[Letter from Leilani Lattin Duke to D. Jack Davis, Mark Elder and R. William McCarter, March 22, 1991]
No full textA letter from Leilani Lattin Duke to D. Jack Davis, Mark Elder and R. William McCarter about informing the trio that The Getty Center for Education in the Arts has approved a grant for the North Texas Institute for Educators on the Visual Arts. Duke goes on to outline the conditions of the grant and there are attached budgets and narratives for the grant
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[Letter from Vicki J. Rosenberg to D. Jack Davis, Mark Elder and R. William McCarter, March 11, 1993]
No full textA letter from Vicki J. Rosenberg to D. Jack Davis, Mark Elder and R. William McCarter about informing the trip that their grant from The Getty Center for Education in the Arts has been approved for the North Texas Institute for Educators on the Visual Arts
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[Letter from Vicki J. Rosenberg to D. Jack Davis, Mark Elder and R. William McCarter, April 25, 1989]
No full textA letter from Vicki J. Rosenberg to D. Jack Davis, Mark Elder and R. William McCarter about informing the trio that their grant from The Getty Center for Education in the Arts has been approved for the North Texas Institute for Educators on the Visual Arts
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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