1,721,558 research outputs found
David Rodriguez promotional photograph
No full textColor promotional photograph of David Rodriguez holding a guitarHouston-native David Rodriguez played in folk venues in Houston in the 1970s before moving to Austin to start a newcareer as a lawyer. In the 1990s, he went back to music and relocated to the Netherlands
David Rodriguez promotional photograph
No full textBlack and white promotional photograph of David Rodriguez holding a guitar in front of a pool tableHouston-native David Rodriguez played in folk venues in Houston in the 1970s before moving to Austin to start a newcareer as a lawyer. In the 1990s, he went back to music and relocated to the Netherlands
David Rodriguez playing the accordion
No full textColor photograph of David Rodriguez playing the accordionHouston-native David Rodriguez played in folk venues in Houston in the 1970s before moving to Austin to start a newcareer as a lawyer. In the 1990s, he went back to music and relocated to the Netherlands
David Rodriguez and Carrie Rodriguez performing
No full textSepia photograph of David Rodriguez and Carrie Rodriguez performingHouston-native David Rodriguez played in folk venues in Houston in the 1970s before moving to Austin to start a newcareer as a lawyer. In the 1990s, he went back to music and relocated to the Netherlands
Vince Bell and David Rodriguez
No full textColor photograph of Vince Bell and David Rodriguez after a recording sessionVince Bell started performing in the Houston folk music scene in 1970
David Rodriguez political flyer
No full textBlack and blue text on white paper political leaflet for David Rodriguzes who was running for the Texas legislatureHouston-native David Rodriguez played in folk venues in Houston in the 1970s before moving to Austin to start a newcareer as a lawyer. In the 1990s, he went back to music and relocated to the Netherlands
David Rodriguez newsletter
No full textPhotocopy of newsletter written by David RodriguezHouston-native David Rodriguez played in folk venues in Houston in the 1970s before moving to Austin to start a newcareer as a lawyer. In the 1990s, he went back to music and relocated to the Netherlands
“This machine will not communicate”: The Decentralization of Authority in Radiohead’s Music and Digital Media
No full textThis study examines how the British band Radiohead have decentralized their authority over their lyrics, music, song titles, artwork, music videos, Web sites, and business practices to allow listeners to participate in the meaning-making process. In pursuit of this goal, the band has supported and developed digital spaces for fan interpretations, playlists, and remixes. As a result, Radiohead have empowered their fans to act as cultural intermediaries, curating and sharing personal interpretations, histories, and collections of the band’s work through digital media.This is a post-print [accepted manuscript]
version of a manuscript originally published in Convergence (2022): Kelly, Elizabeth Joan, and David Rodriguez.
“‘This Machine Will Not Communicate’: The Decentralization of Authority in
Radiohead’s Music and Digital Media.” Convergence (February 2022). https://doi.org/10.1177/13548565211070422.© 2022, Elizabeth Joan
Kelly and David Rodriguez. This post-print is licensed under the Creative
Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To
view a copy, visit https://creativecommons.org/licenses/by-nc-nd/4.0/</p
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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