1,721,950 research outputs found
David Richard Forsha
No full textDavid Richard Forsha was the postmaster of St. George from 1908-22. He later moved to Ogden
Evans, David Richard, [No Service Number]
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/384186Surname: EVANS. Given Name(s) or Initials: DAVID RICHARD. Military Service Number or Last Known Location: [No Registration Number]. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 25560.228860
Item: [2016.0049.16479] "Evans, David Richard, [No Service Number]
Walton, D R (David Richard), NX49860
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/423863Surname: WALTON. Given Name(s) or Initials: D R (DAVID RICHARD). Military Service Number or Last Known Location: NX49860. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 17426.251466
Item: [2016.0049.56124] "Walton, D R (David Richard), NX49860
David, Richard, and Tanner Garner spreading compost on the garden
No full textDavid, Richard, and Tanner Garner spreading compost on the garden with neighborhood friends Reed and Thomas Anderso
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
FROM THE SAN DIEGO REGION OF CALIFORNIA
No full textThe members of the Committee appointed to examine the thesis of DAVID RICHARD IVERSEN find it satisfactory and recommend that it be accepted
Laser speckle modeling for three-dimensional metrology and LADAR
Get PDFThesis (M.Eng. and S.B.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2001.Includes bibliographical references (leaves 103-111).This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.In this thesis, I developed three-dimensional laser-speckle models to help in the development process of three-dimensional optical-metrology imaging systems. These models were developed to aid in the proof of concept for various three-dimensional metrology techniques. These models were then compared to real-world imaging systems, developed by both the author and other staff at the MIT Lincoln Laboratory, to determine their ability to accurately model said imaging systems. I also looked at the laser speckle statistics associated with mid-field systems in an exo-atmospheric environment as they relate to LADAR.by David Richard Dunmeyer.M.Eng.and S.B
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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