1,721,244 research outputs found
David Peters and Mark Bower, 1985
No full textb&w photographExcellent conditionDavid Peters and Mark Bower, respectively President and Vice-President of the Students' Representative Council, at the Capital Campaign Canvassers' Dinner.Picture appears in The Times (March 1985, Vol. 14, No. 5) with a caption that reads: 'David Peters, President of the Students' Representative Council, and Mark Bower, Vice-President of the S.R.C.
David Peters and Susan Fanchl 1863 Marriage License
No full textThis marriage license was issued from the Office of the Probate Court in Seneca County, Ohio to authorize the marriage of David Peters and Susan [Fanchl]. The bride's name could not be verified. The date on the license is May 28, 1863. The license is owned by St. John's United Church of Christ, 10 Main Street, Tiffin (Ohio
Oral history interview with David Peters
No full textDavid Peters, archivist in the Oklahoma State University (OSU) Archives, shares his experience moving to Stillwater as a 'faculty brat' and attending OSU and working in the OSU Library. He discusses the history of OSU including the architectural styles on campus and the impact of former OSU president Henry Bennett. Peters also describes the role of the OSU Archives in preserving and sharing the history of OSU with the public.The O-STATE Stories Oral History collection is comprised of interviews which chronicle the rich history, heritage, and traditions of Oklahoma State University
Séminaire ARTL@S : "The American City and the Transnational, 1880-1930" (Pr. David Peters Corbett, East Anglia University), jeudi 4 avril 2013 à l'ENS-Ulm (Paris)
No full textLa prochaine séance du séminaire ARTL@S a lieu dès ce jeudi 4 avril, de 13h30 à 15h30, à l'Ecole normale supérieure. Nous accueillerons le Professeur David Peters Corbett, professeur invité à l'ENS ce mois-ci, Professeur à East Anglia University (Norwich). Cette séance prolonge notre réflexion sur la question de l'intégration des "périphéries" à l'histoire de l'art, et sur les effets d'un décentrement géographique et disciplinaire dans nos recherches. David Peters Corbett a fortement contribu..
Anglo-American: Artistic Exchange between Britain and the USA
No full textThis collection of essays, like the 2009 conference on which it is based, sets out to analyze art’s role in shaping, examining and challenging the nature of the relationship that the term Anglo-American implies. We discuss a broad current concern with the possibilities of a trans-national art history, which goes beyond the study of artistic influences and reception and is therefore capable of addressing more fully the forms of transmission, migration, affiliation and repudiation that occur between cultures. We survey some of the relevant contemporary scholarship and discuss the important historiography of the Atlantic. Throughout, we consider particular historical and artistic examples via some of the categories of analysis – feeling, commerce, conflict and community – to which the scholarship gives rise. Finally, we posit that Anglo-American requires a comparative methodology to yield fully its insights. The Introduction also presents the individual essays in this context and that of the collection as a whole
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Camden Town and Ashcan: Difference, similarity and the ‘Anglo-American’ in the work of Walter Sickert and John Sloan
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