1,722,051 research outputs found
To the Point - David Parsons
No full textSpeakers: David Parsons, Scott HochbergContents include: On "To the Point," Scott Hochberg talks to Dr. David Parsons about his face casting project with the world's tallest woman
Group portrait / Music; Dance / David Parsons Dance Company
No full textThree dancers doing modern dance. Commercial photo of David Parsons Dance Co. for the performance at Zoellner Arts Center. Same as F7484
Group portrait / Music; Dance / David Parsons Dance Company
No full textA couple doing tango dance. Commercial photo David Parsons Dans Company for their Tango performance at Zoellner Arts Center. Nov. 15, 1997
The Integration of the Electronics Sector in ASEAN
No full textDavid Parsons and Hussain G. Rammalhttp://trove.nla.gov.au/work/3798427
Stone Quarrying and Building in England AD 43-1525, Edited by David Parsons, Chichester, Phillimore & Co, in association with the Royal Archaelogical Institute, 1990, 244 p.
No full textCostantini Frédérique. Stone Quarrying and Building in England AD 43-1525, Edited by David Parsons, Chichester, Phillimore & Co, in association with the Royal Archaelogical Institute, 1990, 244 p.. In: Bulletin Monumental, tome 152, n°2, année 1994. pp. 236-238
Bill Harney with members of Second National Geographic Expedition to Melville Island, ca. 1954 [picture].
No full textTitle based on information from acquisition documentation and caption list on verso.; Part of collection: Collection of photographs of author and bushman, Bill Harney, ca. 1940-1962.; Back row left to right: George Joy (cook), Eric Jolliffe (cartoonist), Dr. Brian Daily (geologist), Bill Harney (guide). Front row left to right : Jane Goodale (anthropologist), Charles P. Mountford (expedition leader), David Parsons (ornithologist). The expedition was sponsored by the National Geographic Society and the Smithsonian Institution.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3705155; Purchased from Michael Treloar Antiquarian Booksellers, List 90, Lot 64, 2006
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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