9,007 research outputs found
Juan Moreira - Don Segundo Sombra: duas histórias, dois gaúchos diferentes
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.A presente pesquisa tem por objetivo comparar dois personagens da literatura gauchesca argentina, Juan Moreira, do romance homônimo de Eduardo Gutiérrez, e Don Segundo Sombra, do romance também homônimo de Ricardo Güiraldes, obras fundamentais do fim do século XIX a primeira, e inicio do século XX a segunda. Neste estudo procura-se realizar reflexões sobre as semelhanças, diferenças ou aproximações das personagens, bem como ressaltar a importância delas para a representação literária do gaúcho na sociedade pampiana da época. Para fortalecer a análise comparativa, desenvolve-se uma exposição sobre os conceitos e matizes das personagens e apresenta-se um panorama sobre o modo de vida do gaúcho e como ele é retratado na ficção
Éric Sabourin & Olivio Alberto Teixeira (eds), Planification du développement territorial au Brésil. Actes du séminaire 28-30 septembre 1999, Campina Grande, Brésil, Montpellier (França), Cirad, 2002
No full textMoreira David. Éric Sabourin & Olivio Alberto Teixeira (eds), Planification du développement territorial au Brésil. Actes du séminaire 28-30 septembre 1999, Campina Grande, Brésil, Montpellier (França), Cirad, 2002. In: Lusotopie, n°11, 2004. Médias pouvoir et identités. pp. 449-451
Éric Sabourin & Olivio Alberto Teixeira (eds), Planification du développement territorial au Brésil. Actes du séminaire 28-30 septembre 1999, Campina Grande, Brésil, Montpellier (França), Cirad, 2002
No full textMoreira David. Éric Sabourin & Olivio Alberto Teixeira (eds), Planification du développement territorial au Brésil. Actes du séminaire 28-30 septembre 1999, Campina Grande, Brésil, Montpellier (França), Cirad, 2002. In: Lusotopie, n°11, 2004. Médias pouvoir et identités. pp. 449-451
Revisiting the Mutual Embeddedness of Culture and Mental Illness
No full textIn this paper, we discuss the intricate relationship between culture and mental illness. Our central position is that there cannot be mental illness without culture. We argue that our limited knowledge to the onset, manifestation, course and outcome of mental illness is due in part to the cross-cultural psychological conceptualization of culture, where culture is seen as an independent variable influencing mental illness, the dependent variable. This is in addition to the limitations of the biomedical model in accounting for the origins of mental illness. Using depression and schizophrenia as examples, we argue for the need to see culture and mental illness as mutually embedded in each other
A new species of Eigenmannia Jordan & Evermann (Teleostei: Gymnotiformes: Sternopygidae) from Río Ventuari, Venezuela
No full textDutra, Guilherme Moreira, Peixoto, Luiz Antônio Wanderley, Santana, Carlos David De, Wosiacki, Wolmar Benjamin (2018): A new species of Eigenmannia Jordan & Evermann (Teleostei: Gymnotiformes: Sternopygidae) from Río Ventuari, Venezuela. Zootaxa 4422 (1): 132-140, DOI: 10.11646/zootaxa.4422.1.
Uma máquina que só anda para a frente: um estudo do conto Para sempre em cima de David Foster Wallace
No full textEste estudo tem como objeto de análise o livro Breves Entrevistas com Homens Hediondos (1999) de David Foster Wallace, em especial o conto Para Sempre em Cima. A partir de uma leitura detalhada do conto, traçamos comparações com as outras histórias que compõem as entrevistas do livro, procurando reconhecer um sentido de unidade da obra. Também são consideradas as preocupações literárias e culturais do autor, acessadas através de ensaios e entrevistas, no seu processo de criação artística. Além da fortuna crítica, um recorte das mudanças culturais e tecnológicas na sociedade americana da virada do milênio, principalmente em relação a mídias de comunicação de massa e uma certa configuração de tradição literária pós-moderna, se mostraram pertinentes para a interpretação da obra tanto nos aspectos temáticos quanto formais
Analysis of lot size in a signal Kanban system
No full textThesis (B.S.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 1997.Includes bibliographical references (leaf 51).by David Ian Moreira.B.S
Mapping São Paulo from Alfredo Moreira Pinto
No full textO presente trabalho tem o objetivo de apresentar os pontos da cidade de São Paulo no ano de 1900 em que o autor Alfredo Moreira Pinto descreve em seu livro, apontando para as modificações da cidade que recebia o propalado “progresso” nos primeiros anos da República. Para o apontamento desses locais descritos será utilizada a plataforma de código aberto Pauliceia 2.0, utilizando as informações descritas pelo autor com a finalidade de aumentar a base de dados da plataforma e apresentar as modificações com relação à espacialização dos espaços visitados por Moreira Pinto na cidade. Ao contrastar os mapas, fica perceptível o que a literatura aponta com relação às áreas centrais mantendo seus polos financeiros e as áreas periféricas recebendo as indústrias. Também foi possível perceber a intenção de novos locais para residências afastados do centro que outrora fora lugar de desejo da elite. A intenção de cartografar a obra de Alfredo Moreira Pinto atinge seu objetivo em documentar a cidade em 1900, com suas modificações em um curto período, além de propiciar um novo material para novas abordagens dentro do recorte temporal.This work aims to present the spots of São Paulo described by the author Alfredo Moreira Pinto in his book "The city of São Paulo in 1900". For pointing out the described places, the open source platform Pauliceia 2.0 will be used, with the purpose of increasing its database and presenting the changes in relation to the spatialization of the city and the urbanization of the period, based on the author's writings. When contrasting the maps, it is noticeable that the literature points to two poles: the central areas, with a focus on the financial area, and the peripheral areas, focused on industries. Also noted is the exploration of new places for residences further away from the center, which was once a region of elite's desire. The intention of mapping the work of Alfredo Moreira Pinto, aims to illustrate the city of 1900, with its modifications in a short period, in addition to providing material for new approaches within the time frame.Não recebi financiament
Scholar-Practitioner Q+A . . . An Interview with Susana Moreira Marques
No full textSusana Moreira Marques was born in Porto, northern Portugal, in 1976,
and currently lives in Lisbon. She worked for the BBC World Service and
lived in Great Britain for a number of years, where her work was published in
newspapers such as the Guardian. Her career as an author—the designation
she likes to use for people who engage in writing, as it is the term that puts
aside any differences between journalist and writer—has undergone different
phases. She has worked for national newspapers such as Público and Jornal de
Negócios, and more recently she has been with the Portuguese national public
radio, RDP, where she hosts a weekly crónica. Moreira Marques’s work with
the BBC until 2011 allowed her the freedom to research and reach different
publics and outlets in places as varied as Hong Kong and Australia.
Moreira Marques is a person whose demeanor is as graceful and observant as her writing. Elegant and delicate, she produces powerful texts based
on information acquired through immersion research, handling difficult top ics such as migrants’ rights, sickness, and death, as well as easygoing texts that
can be read on her blog, Bay Window,1
which she wrote for two years about
her experiences while living in London. As an observer, her gaze comes from
the outside, but she allows her senses and feelings to gather impressions that allow her to write within her own construction of mood. While all writing
involves making a wide range of choices, Moreira Marques’s reflects the deli cateness of topics and her own response to them. In her point of view Moreira
Marques is exact, yet unobtrusive. Characters and stories appear in a manner
that neither imposes on them nor on the reader. The latter has the freedom to
read and interpret at will, and the former are handled with respect for their
individuality. The stories always have an author’s touch in the ordering and
rendering of events and, invariably, they become Moreira Marques’s stories.
Isabel Nery and Alice Trindade interviewed Moreira Marques at her
home in Lisbon, on April 9, 2018.info:eu-repo/semantics/publishedVersio
Scholar-Practitioner Q+A . . . An Interview with Susana Moreira Marques
No full textSusana Moreira Marques was born in Porto, northern Portugal, in 1976,
and currently lives in Lisbon. She worked for the BBC World Service and
lived in Great Britain for a number of years, where her work was published in
newspapers such as the Guardian. Her career as an author—the designation
she likes to use for people who engage in writing, as it is the term that puts
aside any differences between journalist and writer—has undergone different
phases. She has worked for national newspapers such as Público and Jornal de
Negócios, and more recently she has been with the Portuguese national public
radio, RDP, where she hosts a weekly crónica. Moreira Marques’s work with
the BBC until 2011 allowed her the freedom to research and reach different
publics and outlets in places as varied as Hong Kong and Australia.
Moreira Marques is a person whose demeanor is as graceful and observant as her writing. Elegant and delicate, she produces powerful texts based
on information acquired through immersion research, handling difficult top ics such as migrants’ rights, sickness, and death, as well as easygoing texts that
can be read on her blog, Bay Window,1
which she wrote for two years about
her experiences while living in London. As an observer, her gaze comes from
the outside, but she allows her senses and feelings to gather impressions that allow her to write within her own construction of mood. While all writing
involves making a wide range of choices, Moreira Marques’s reflects the deli cateness of topics and her own response to them. In her point of view Moreira
Marques is exact, yet unobtrusive. Characters and stories appear in a manner
that neither imposes on them nor on the reader. The latter has the freedom to
read and interpret at will, and the former are handled with respect for their
individuality. The stories always have an author’s touch in the ordering and
rendering of events and, invariably, they become Moreira Marques’s stories.
Isabel Nery and Alice Trindade interviewed Moreira Marques at her
home in Lisbon, on April 9, 2018.info:eu-repo/semantics/publishedVersio
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