1,721,409 research outputs found
Letter from David Jordan to James B. Finley
David Jordan, steward at the Greene Street Methodist Episcopal Church, is very unhappy about the treatment he has received at the hands of Finley, now serving as Presiding Elder of the Dayton District. Finley has accused Jordan of orchestrating a reduction in his salary over the issue of abolitionism. Jordan reminds Finley that the preacher in charge at the time, Solomon Howard, has stated unequivocally that Jordan was not responsible. Jordan hopes this difficulty can be remedied soon. Abstract Number - 207https://digitalcommons.owu.edu/finley-letters/1206/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Backstage at Song of Wonder
A preview by Nirmala Rajasekar and David Jordan Harris of their Sacred Arts Festival concert
Musicians Nirmala Rajasekar and David Jordan Harris will explore the cultural, religious, and musical worlds behind the repertoire in their concert Song of Wonder. While giving a taste of many musical styles contained within their respective Carnatic (South Indian) and Sephardic (Judeo-Spanish) art forms, Nirmala and David will take their audience on a journey through the centuries across the landscapes of South India, Turkey, Morocco, Bosnia, and Spain.
Nirmala Rajasekar has been featured in many world-renowned venues, including New York’s Carnegie Hall, United Nations, Symphony Space; the Music Academy in Chennai, India; the Rumi International Festival in Konya, Turkey; and Musee Rietburg in Zurich, Switzerland. Nirmala made her debut as a solo performer on the 7-stringed veena at age 13 in Bangelore, India. Radio India has pronounced her a Grade A artist for All India Radio since 1990. Nirmala has performed in numerous collaborative settings with musicians from many backgrounds, including Western classical, Chinese, Indonesian gamelan, and jazz. She is the artistic director of the Naadha Rasa Center of Music based in Plymouth, where she teaches the art of Carnatic music.
David Jordan Harris is co-founder and artistic director of Voices of Sepharad. He has pursued study and performance of Sephardic music throughout North America, Morocco, Greece, France, Israel, Turkey, Poland, Bosnia, and Spain. Integrating his skills as a singer, actor, and dancer, David has appeared as a guest artist with Zorongo Flamenco, Corning Dances and Company, Walker Art Center, Illusion Theater, Rose Ensemble, North Star Opera, Liz Lerman Dance Exchange, Guthrie Theater, Minnesota Opera, Lyra Baroque Orchestra, Ensemble Español, and In the Heart of the Beast Puppet and Mask Theatre. David is the interfaith arts special consultant for the Jay Phillips Center for Interfaith Learning and executive director of Rimon: The Minnesota Jewish Arts Council.
Co-sponsored with the Sacred Arts Festival at the University of St. Thoma
Embracing the Beloved at the Hindu Temple of Minnesota
Interfaith concert created by David Jordan Harris, Nirmala Rajasekar, and Maryam Yusefzadeh
Commissioned by the Jay Phillips Center, Embracing the Beloved was a concert of music from the Sephardic (Judeo-Spanish), Carnatic (South Indian), and Persian cultural traditions. Co-creators David Jordan Harris, Nirmala Rajasekar, and Maryam Yusefzadeh explored shared human values and spiritual aspirations reflected in the three distinctive musical traditions. Each lead artist performed with a musical ensemble specializing in the music of their tradition—Voices of Sepharad (Sephardic), Roboyat (Persian), and a group of nationally recognized artists working in the Carnatic tradition. The musicians also performed together new compositions emerging from the underlying themes of Embracing the Beloved.
Sponsored by the Jay Phillips Center in collaboration with the Hindu Temple of Minnesot
Embracing the Beloved at the Mayo Clinic
Interfaith concert created by David Jordan Harris, Nirmala Rajasekar, and Maryam Yusefzadeh
Commissioned by the Jay Phillips Center, Embracing the Beloved was a concert of music from the Sephardic (Judeo-Spanish), Carnatic (South Indian), and Persian cultural traditions. Co-creators David Jordan Harris, Nirmala Rajasekar, and Maryam Yusefzadeh explored shared human values and spiritual aspirations reflected in the three distinctive musical traditions. Each lead artist performed with a musical ensemble specializing in the music of their tradition—Voices of Sepharad (Sephardic), Roboyat (Persian), and a group of nationally recognized artists working in the Carnatic tradition. The musicians also performed together new compositions emerging from the underlying themes of Embracing the Beloved.
Sponsored by the Jay Phillips Center in collaboration with the Rosemary and Meredith Wilson Harmony for Mayo Progra
Embracing the Beloved at Sabes Jewish Community Center
Interfaith concert created by David Jordan Harris, Nirmala Rajasekar, and Maryam Yusefzadeh
Commissioned by the Jay Phillips Center, Embracing the Beloved was a concert of music from the Sephardic (Judeo-Spanish), Carnatic (South Indian), and Persian cultural traditions. Co-creators David Jordan Harris, Nirmala Rajasekar, and Maryam Yusefzadeh explored shared human values and spiritual aspirations reflected in the three distinctive musical traditions. Each lead artist performed with a musical ensemble specializing in the music of their tradition—Voices of Sepharad (Sephardic), Roboyat (Persian), and a group of nationally recognized artists working in the Carnatic tradition. The musicians also performed together new compositions emerging from the underlying themes of Embracing the Beloved.
Sponsored by the Jay Phillips Center in collaboration with the Sabes Jewish Community Cente
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