1,721,318 research outputs found
"Quelle est la précision d'une balise-radio" par David Gibson, p. 77-82
No full text"Quelle est la précision d'une balise-radio" par David Gibson, p. 77-82. In: Karstologia : revue de karstologie et de spéléologie physique, n°29, 1er semestre 1997. Formation des réseaux karstiques et creusement des vallées (Larzac, Hérault) p. 57
"Quelle est la précision d'une balise-radio" par David Gibson, p. 77-82
No full text"Quelle est la précision d'une balise-radio" par David Gibson, p. 77-82. In: Karstologia : revue de karstologie et de spéléologie physique, n°29, 1er semestre 1997. Formation des réseaux karstiques et creusement des vallées (Larzac, Hérault) p. 57
David Gibson Papers, 1965-2000
Full text linkCorrespondence, reports, notes, publications, and other material from David Gibson\u27s work with the Association for the Protection of the Adirondacks (AfPA) and other environmental advocacy organizations. The primary focus of the collection is land use and development within both the public and privately owned lands of the Adirondack Park. The collection includes special published reports printed by the AfPA and other organizations, resources gathered in research, materials collected during participation in committees, and correspondence lobbying legislators independently and collectively with other conservation organizations. It also contains organizational materials for conferences and events. Box 5 and a significant portion of Box 6 contain materials on issues involving the APA, in particular the 1996-1997 restructuring of regulations and procedures within the agency. These boxes also contain materials from 1992 to 1993 when many hydroelectric dams in NYS were required to apply for relicensing. This renewed the debate as to the role and value of hydroelectric dams within the Adirondack Park.https://digitalworks.union.edu/arl_findingaids/1044/thumbnail.jp
Helen Silvestri, Mrs. W. H. Merrill Jr. , and David Gibson with a gift Paining for the Children\u27s Museum
No full textPhotograph showing from left to right, Helen Silvestri, teacher of the experimental art class of the Children\u27s Museum; Mrs. W. H. Merrill Jr., chairman of the class; and David Gibson, son of Mr. and Mrs. F. A. Gibson. They are photographed holding the painting that David did that will soon be a gift to Ted Weiner, the art class sponsor. Fort Worth Star-Telegram Evening edition December 19, 1961.https://mavmatrix.uta.edu/specialcollections_startelegram1960s/1662/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Estimating pose of articulated objects using low-level motion
No full textEstimating Pose of Articulated Objects using Low-Level Motion,Computer Vision and Image Understanding (Impact factor 1.676),Ben Daubney, David Gibson, Neill Campbell,Under Submission (Expected publication early 2012
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