1,721,824 research outputs found

    David Armstrong

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    An obituary for contractor and builder David Armstrong

    David Armstrong

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    An obituary for contractor and builder David Armstrong

    Interview with David Armstrong

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    Interview with David Armstrong for the RCA Heritage Program Oral History grant

    Portrait of Mr David Armstrong

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/307692Envelope contains 12 black and white 120mm negatives and 12 colour 35mm negatives269253 Item: [2007.0055.01515] "Portrait of Mr David Armstrong

    [Portrait of David M. Armstrong seated, Manuscripts Section, National Library of Australia, Nov. 2, 2001] [picture] /

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    Title devised by cataloguer based on accompanying documentation.; Condition: good.; Part of: Collection of portraits of David Armstrong.; One of series of portraits of David M. Armstrong taken in conjunction with but long after his oral history interview conducted by Edgar Waters at the National Library of Australia

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    A consciência como uma percepção do mental e o estatuto dos fenômenos mentais inconscientes na perspectiva de David Armstrong

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    O artigo examina a teoria de David Armstrong sobre a consciência e sua concepção do inconsciente. Após uma discussão do caráter anti-cartesiano dessa teoria (seção 1), são discutidas as noções de consciência mínima e consciência perceptiva (seção 2), bem como o conceito de consciência introspectiva, que é o mais importante para Armstrong (seção 3). A conclusão é que, apesar do valor explicativo dos seus conceitos de consciência, Armstrong defende uma perspectiva insatisfatória a respeito do inconsciente, pois essa perspectiva não dá conta da real influência do inconsciente em nossa vida mental (seção 4)
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