52,460 research outputs found
SA and NT form commercial alliance. by David Hancock
No full texttag=1 data=SA and NT form commercial alliance. by David Hancock
tag=2 data=Hancock, David
tag=3 data=Territory Business
tag=6 data=Second Quarter 1995
tag=7 data=16
tag=8 data=TRADE
tag=9 data=MEMORANDUM OF UNDERSTANDING ON ECONOMIC CO-OPERATION%SOUTH AUSTRALIAN GOVERNMENT
tag=10 data=At a time when developing regions are realigning for trade, two of Australia's so called 'minor' states have entered into a new commercial partnership.
tag=13 data=IND
tag=32 data=STONE, SHANE%BROWN, DEANAt a time when developing regions are realigning for trade, two of Australia's so called 'minor' states have entered into a new commercial partnership
Taylor's triumph' by David Kellet, Newspaper Review for While We Watched, Adelaide, SA, 1982.
No full textNewspaper review for While We Watched by David Kellet, March 10, 1982, Adelaide, SA
The construction of Karen Karnak: The multi-author-function
No full textThis thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author
David Lodge's Author, Author and the Genre of the Biographical Novel
No full textInternational audienceThis essay is an attempt to analyse the mechanisms of the biographical novel in David Lodge's Author, Author (2004) which focuses on Henry James's middle years as well as on the few months before his death. By paying special attention to the paratexts and to the subtle intertwining of fiction and reality within the text, the paper demonstrates how Lodge manages to strike a delicate balance between imagination and facts. The article also explores the reasons for the prominence of the mixed genre of the biographical novel in contemporary British literature and attempts to situate Author, Author in relation to postmodernist historiographic metafiction.Cet article tente d'analyser les mécanismes du roman biographique dans Author, Author (2004) de David Lodge, qui met en scène Henry James dans les années 1880-1890, ainsi que dans les derniers mois avant sa mort. Par le biais d'un examen précis des paratextes et du tressage de la fiction et de la réalité au sein même du texte, l'article démontre que Lodge est parvenu à opérer un équilibre subtil entre imagination et faits réels. Cet essai propose en outre de déterminer les raisons du succès du genre mixte du roman biographique dans la littérature britannique contemporaine, et s'efforce d'évaluer le statut de Author, Author en le comparant aux métafictions historiographiques postmodernistes
David Lodge's Author, Author and the Genre of the Biographical Novel
No full textInternational audienceThis essay is an attempt to analyse the mechanisms of the biographical novel in David Lodge's Author, Author (2004) which focuses on Henry James's middle years as well as on the few months before his death. By paying special attention to the paratexts and to the subtle intertwining of fiction and reality within the text, the paper demonstrates how Lodge manages to strike a delicate balance between imagination and facts. The article also explores the reasons for the prominence of the mixed genre of the biographical novel in contemporary British literature and attempts to situate Author, Author in relation to postmodernist historiographic metafiction.Cet article tente d'analyser les mécanismes du roman biographique dans Author, Author (2004) de David Lodge, qui met en scène Henry James dans les années 1880-1890, ainsi que dans les derniers mois avant sa mort. Par le biais d'un examen précis des paratextes et du tressage de la fiction et de la réalité au sein même du texte, l'article démontre que Lodge est parvenu à opérer un équilibre subtil entre imagination et faits réels. Cet essai propose en outre de déterminer les raisons du succès du genre mixte du roman biographique dans la littérature britannique contemporaine, et s'efforce d'évaluer le statut de Author, Author en le comparant aux métafictions historiographiques postmodernistes
David Mzimkulu
No full textDavid Mzimkulu.Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/
Language Change and SA-OT: The case of sentential negation
No full textSimulated Annealing for Optimality Theory (SA-OT) updates Optimality Theory by adding a model of performance to a theory of linguistic competence. Our aim is to show that SA-OT can contribute to language change simulations. Performance "errors" are considered to be one of the causes of variation and change. We have chosen to model the evolution of sentential negation (SN). The descriptive background adopts Jespersen's Cycle, according to which the evolution of sentential negation follows three main stages (1. pre-verbal, 2. discontinuous, and 3. post-verbal). Therefore, we advance a novel model for SN, based on SA-OT. It reproduces the three pure and the two observed mixed stages, whereas it correctly predicts the lack of an intermediate stage between 3 and 1. The success of the approach corroborates the computational, performance-based approach to the data. Finally, we employ the iterated learning paradigm to reproduce historical changes in a "simulated corpus study". This enterprise turns out to be more difficult than one would naively believe.Appeared open access as: Computational Linguistics in the Netherlands Journal (CLIN), vol. 1 (2011), pp. 21-40, and is available at http://www.clinjournal.org/sites/default/files/Lopopolo.pdfA. Lopopolo and Biró, T., “Language Change and SA-OT. The case of sentential negation”, Computational Linguistics in the Netherlands Journal, vol. 1, pp. 21-40, 2011.Peer Reviewe
Brouillon de lettre de H. W. Ryland à David Munro sur sa situation financière, le retour de sir James Craig en Angleterre
No full text4 pages, originalBrouillon de lettre de H. W. Ryland [à David Munro] sur : son obligation de rester en Angleterre plus longtemps ; sa situation financière ; le retour de sir James [Craig] en Angleterre ; les difficultés de Mlle Vanhamp à obtenir son héritage
Menahem Azarya da Fano et sa famille
No full textKaufmann David. Menahem Azarya da Fano et sa famille. In: Revue des études juives, tome 35, n°69, juillet-septembre 1897. pp. 84-90
Tu can Dance,' newspaper review, September 19th, 1991, Adelaide, SA.
No full textNewspaper review published by The Advertiser September 18, 1991. David Sly reviews Australian Dance Theatre's Tu Tu Wah. Adelaide, SA
- …
