1,722,024 research outputs found
Gray, David Peter, F3333
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/388692Surname: GRAY. Given Name(s) or Initials: DAVID PETER. Military Service Number or Last Known Location: F3333. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 43973.211462
Item: [2016.0049.20985] "Gray, David Peter, F3333
03. David Peter on his March 28, 2011 Sermon
No full textDr. David Peter explains how he developed his Chapel Sermon from Matthew 5:17-22 for Monday, March 28, 2011.https://scholar.csl.edu/preacherstudio/1002/thumbnail.jp
Die Fair Value-Bewertung von immateriellen Vermögenswerten im Zuge der Kaufpreiskaluklation nach IAS/IFRS Rechnungslegungnstandards
No full textDavid Peter LacknerKlagenfurt, Alpen-Adria-Univ., Dipl.-Arb., 201
Die Fair Value-Bewertung von immateriellen Vermögenswerten im Zuge der Kaufpreiskaluklation nach IAS/IFRS Rechnungslegungnstandards
No full textDavid Peter LacknerKlagenfurt, Alpen-Adria-Univ., Dipl.-Arb., 201
Goffman à contre-coeur
No full textDavid Peter. Goffman à contre-coeur. In: Politix, vol. 1, n°3-4, Été-automne 1988. Science politique. pp. 63-65
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Natural history specimens collected and/or identified and deposited.
No full textNatural history specimen data collected and/or identified by Shorthouse, David Peter, https://orcid.org/0000-0001-7618-5230. Claims were made on Bloodhound, https://bloodhound-tracker.net using specimen data from the Global Biodiversity Information Facility, https://gbif.org
Natural history specimens collected and/or identified and deposited.
No full textNatural history specimen data collected and/or identified by Shorthouse, David Peter, https://orcid.org/0000-0001-7618-5230. Claims were made on Bloodhound, https://bloodhound-tracker.net using specimen data from the Global Biodiversity Information Facility, https://gbif.org
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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