2,114 research outputs found
Graduate recital, trombone. Lambert, D., 2000
Recorded during a live performance at Dalton Center Recital Hall, Western Michigan University, Kalamazoo, Michigan, April 8, 2000, 8:00 p.m., the 498th concert of the School of Music's 1999-2000 season.David Lambert, trombone ; assisted by (variously): Rob Haight, clarinet ; Travis Freshner, trumpet ; Earlie Braggs, Raphael Crawford, trombone ; Scott Grupke, bass trombone ; Chris Sargent, piano ; Lyman Medeiros, bass ; Fred Knapp, drums.In partial fulfillment of the requirements of the Master of Music degree in trombone performance and jazz studies, Western Michigan University, 2000.Information from performance program.River, stay 'way from my door / Traditional ; arranged by David Lambert -- September song / Kurt Weill ; arranged by David Lambert -- Willow, weep for me / Ann Ronell ; arranged by David Lambert -- Saint James' infirmary / Joe Primrose (Irving Mills) ; arranged by David Lambert -- Where are you? / Jimmy McHugh ; arranged by David Lambert -- Rebecca's lullaby / David Lambert -- Bone a-parting / David Lambert
Lillian L. Lambert, Author, Speaker, and Entrepreneur
Lillian L. Lambert, Author, Speaker, and Entrepreneu
Nesuhi Ertegun, Dave Lambert, Leonard Feather, Jack Teagarden, and Gene Lees
8 x 10 inch photograph; Nesuhi Ertegun, Dave Lambert, Leonard Feather, Jack Teagarden, and Gene Lees at a conference in Chicago. Observable on the wall behind the table is the logo of Playboy Magazin
Dave Cochard with airline stewardesses
Dave Cochard (center) 1970 Alumni w/ Gabriella Pastrovicchio & Marilyn Lambert TWA Stewardesse
Lambert, Hendricks & Ross: American ventriloquism
It has been fifty-one years since the last Lambert, Hendricks & Ross studio recording. Since then Dave Lambert was tragically killed on the Connecticut Turnpike, Jon Hendricks has become a University of Toledo professor, and Annie Ross is still performing frequently worldwide. Few jazz vocalists are accepted into the scholastic canon. Fewer are filed in the annals of music history. But, if any vocalists should be regarded important to the story of jazz music it is LHR. Their impact on the art of vocalese has yet to be fully felt. In exploring the motivation behind the group’s dense, meticulous, trailblazing recordings, this study attempts to be a supplement for what was too much for liner notes in the late 50’s and 60’s, while simultaneously giving a brief encompassing historical outline. By examining the social and musical impact of Lambert Hendricks & Ross, this study attempts to further legitimate the art of jazz vocals and vocalese.M.A.Includes bibliographical referencesIncludes vitaby Bilal Salaa
Migrating Words, Migrating Merchants, Migrating Law. Trading Routes and the Development of Commercial Law
Migrating Words, Migrating Merchants, Migrating Law examines the connections that existed between merchants’ journeys, the languages they used and the development of commercial law in the context of late medieval and early modern trade. The book, edited by Stefania Gialdroni, Albrecht Cordes, Serge Dauchy, Dave De ruysscher and Heikki Pihlajamäki, takes advantage of the expertise of leading scholars in different fields of study, in particular historians, legal historians and linguists. Thanks to this transdisciplinary approach, the book offers a fresh point of view on the history of commercial law in different cultural and geographical contexts, including medieval Cairo, Pisa, Novgorod, Lübeck, early modern England, Venice, Bruges, nineteenth century Brazil and many other trading centers. Contributors are Cornelia Aust, Guido Cifoletti, Mark R. Cohen, Albrecht Cordes, Maria Fusaro, Stefania Gialdroni, Mark Häberlein, Uwe Israel, Bart Lambert, David von Mayenburg, Hanna Sonkajärvi, and Catherine Squires
Linked Data based video annotation and browsing for distance learning
We present a pair of prototype tools that enable users to mark up video with annotations and later explore related materials using Semantic Web and Linked Data approaches. The �first tool helps academics preparing Open University course materials to mark up videos with information about the subject matter and audio-visual content. The second tool enables users, such as students or academics, to find video and other materials relevant to their study
Paroles de Bernard Lambert : un paysan révolutionnaire
Le texte publié est la transcription des paroles prononcées par Bernard Lambert le 4 mai 1981 au séminaire « Luttes dans et pour l'espace rural » de Françoise Bourquelot et Nicole Mathieu à l'EHESS. Un récit de trente ans d'histoire du syndicalisme paysan, qui montre une pensée d'avant-garde, une ouverture sur les problèmes internationaux, une capacité de se projeter dans l'avenir. A former union member testimony and commitment The history of French farmers' unions since thirty years is related by Bernard LAMBERT (1931-1984), a long-time trade unionist, founder member of the union « Paysans travailleurs » and author of the book entitled Les paysans dans la lutte des classes (1970). Bernard LAMBERT's talk to a seminar held in Paris on May 4th 1981 at the EHESS, reveals, through debates put back in their context, his avant-garde ideas, his concern for international problems and his will to anticipate the future
Supplementary_Material_PDF - Microclass immobility during industrialisation in the USA and Norway
Supplementary_Material_PDF for Microclass immobility during industrialisation in the USA and Norway by Dave Griffiths, Paul S Lambert, Richard L Zijdeman, Marco HD van Leeuwen and Ineke Maas in Acta Sociologica</p
The Night has a Thousand Eyes. / Words by / F. W. BOURDILLON. / Music by / FRANK LAMBERT.
Box no. 6Lambert's lifedates according to https://imslp.org/index.php?title=Category:Lambert,_Frank&oldid=2748425;
published in the series "Series of Short Songs"Frank Lambert: The Night Has a Thousand Eyes; Series of Short Songs; Chappell & Co. Ltd.; music printItem type: book | Content type: music | Writing material: black ink | Counting of pages: page numbersVocal-instrumental score | staff notation | voice; piano"The night has a thousand eyes, the day but one [...]
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