215 research outputs found
Forord
No full text”Forord.” In, Ied. Daugaard, Solveig. David Lloyd, Repræsentationens endeligt og kunstkritikkens almene subjekt. Copenhagen, Billedkunstskolens Forlag 2024, pp. 5-11
Skabt af stavelser
No full textUdvalgte digte af Harryette Mullen. På dansk ved Henrik Majlund Toft. Med efterord af Solveig Daugaard
Efterord:En recirklopædi skabt af stavelser
No full textEfterord til et udvalg af den eksperimenterende, afrikansk-amerikanske digter Harryette Mullens poesi i dansk oversættelse
HVIS JEG SAGDE DET. ET FÆRDIGT PORTRÆT AF PICASSO
No full textDanish translation of IF I TOLD HIM. A COMPLETED PORTRAIT OF PICASSO. Translated by Solveig Daugaard, Tania Ørum, Lene Asp og Laura Luise Schultz.Danish translation of IF I TOLD HIM. A COMPLETED PORTRAIT OF PICASSO. Translated by Solveig Daugaard, Tania Ørum, Lene Asp og Laura Luise Schultz.Danish translation of IF I TOLD HIM. A COMPLETED PORTRAIT OF PICASSO. Translated by Solveig Daugaard, Tania Ørum, Lene Asp og Laura Luise Schultz.Danish translation of IF I TOLD HIM. A COMPLETED PORTRAIT OF PICASSO. Translated by Solveig Daugaard, Tania Ørum, Lene Asp og Laura Luise Schultz
Internetkunstens teknoæstetikker
No full textI essayet Hjemmedyrket, outsourcet, organiseret udfolder mediekunstner, kurator og professor Kristoffer Gansing på én gang et historisk overblik og en systematisk analyse af de seneste tredive års internetkunst og leverer med begrebet ’teknoæstetik’ samtidig en teoretisk og analytisk ramme for forståelsen af den netværksbaserede kunsts udvikling og udtryksformer.Essayet er en del af udgivelsesserien Kunsten som forum på tryk, som undersøger kunstens sociale infrastrukturer, og vi får her en introduktion til Gansings essay ved professor Frederik Tygstrup og adjunkt Solveig Daugaard, begge tilknyttet forskningscentret Kunsten som forum
”Machine for making a scene”
No full textSolveig Daugaard’s paper will deal with literary collaborations across space-time. In the experimental collage essay A Prank of Georges (2011) Thalia Field and Abigail Lang reenter Gertrude Stein’s work in a collaborative spirit, cutting from the oeuvre they are exploiting the mobility of Stein’s linguistic material in creating performative machines that are setting in motion a host of social, philosophical, and scientific contexts. The movement from the medium of the book to the medium of performance will be explored. The relation between page and stage is in constant focus in A prank of Georges. Stein also had it in mind when she started writing plays – I see this move of hers as a challenge to the medium of the book – as an insisting upon corporeal aspects of textuality – new experience upon every reading.</p
Grocery Shopping With Gertrude Stein : About Harryette Mullen’s <em>S*PeRM**K*T</em>
No full textThe section ”FOOD” from Gertrude Stein’s Tender Buttons (1914) opens with what appears to be an approximate table of content, but most of all resembles an eccentric shopping list. Solveig Daugaard’s paper will explore how contemporary American poet Harryette Mullen in S*PeRMK*T (1992) decided to bring Stein’s shopping list to her contemporary supermarket. Mullen is starting from Stein by picking up Stein’s zoom on the objects of a quotidian, feminine, domestic life. She also adopts a number of concrete linguistic elements from Stein, from actual quoting to miming Stein’s paratactical sentences. In merging these parts with disparate elements from popular culture as well as the language of advertising, Mullen creates a witty collage exploring the everyday realm of foodstuffs in a different cultural context. Where Stein’s poetical innovations opened a new sensibility, connecting everyday things to play and erotic experience, Mullen is exploring cultural inscriptions on food and eating in late capitalist society regarding gender, sexuality and colour, critically highligting the identity politics of the supermarket context.</p
Forord
No full textI en brevveksling mellem Solveig Daugaard og Cecilie Ullerup Schmidt undersøges forholdet mellem den skrivende og den læsende, f.eks. institutionelt skabte læserelationer og hvad der sker når sorte forfatteres bøger kommer i hænderne på hvide læsere
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