116 research outputs found
gee Function to solve a Generalized Estimation Equation Model Description Usage
No full text4.13). Note that maintainers are not available to give advice on using a package they did not author
Ultra-rapid carbonylation using palladium(I) dimer precatalysts applied to 11CO-radiolabelling for PET
No full text08.110.12 KB. Ok to add accepted version to Spiral, embargo elapsed (Feb 2012). Author Dr Miller, says paper is the same only title was change for publication
West End Shore (Reprise)
No full textA version of this (composition-as-output) work from 2020 was re-worked in 2022 (by Sam Gee as co-author) and included on the mid-length album Magu Hiraeth (released in 2023).Sleeve NoteWest End Shore is a pebbled beach that sits beneath the quarry-carved most northerly peak in the mountain group Yr Eifl. It's a beach rarely visited except by those in the nearby village of Trefor, and yet it is a place where glorious sunsets over the water to Ynys Môn are common, as are sightings of dolphins and seals. And when the evening light is right, distant across the Irish sea, the Wicklow mountains haunt the horizon. It can be a peaceful place - the mood captured, I hope, in this piece - but also a wild one when the storms lash in off the sea and where, on occasion, we have quite literally been blown off our feet. The original version of this track opens this EP, and here at its close is the wonderful reworking of it by Sam Gee (who also plays sax on both versions as well as being the sound engineer for everything). Sam adds so much to all the musicking I do - from my musical lumps of clay he fashions works of great beauty, giving the very best of his own performance (listen to his sax solos on both versions of this piece for example) and bringing out the best in all the other performers. Here, in this closings to the EP, we also benefit from his arrangement skills and re-imagining of my original musings
West End Shore (Reprise)
No full textA version of this (composition-as-output) work from 2020 was re-worked in 2022 (by Sam Gee as co-author) and included on the mid-length album Magu Hiraeth (released in 2023).Sleeve NoteWest End Shore is a pebbled beach that sits beneath the quarry-carved most northerly peak in the mountain group Yr Eifl. It's a beach rarely visited except by those in the nearby village of Trefor, and yet it is a place where glorious sunsets over the water to Ynys Môn are common, as are sightings of dolphins and seals. And when the evening light is right, distant across the Irish sea, the Wicklow mountains haunt the horizon. It can be a peaceful place - the mood captured, I hope, in this piece - but also a wild one when the storms lash in off the sea and where, on occasion, we have quite literally been blown off our feet. The original version of this track opens this EP, and here at its close is the wonderful reworking of it by Sam Gee (who also plays sax on both versions as well as being the sound engineer for everything). Sam adds so much to all the musicking I do - from my musical lumps of clay he fashions works of great beauty, giving the very best of his own performance (listen to his sax solos on both versions of this piece for example) and bringing out the best in all the other performers. Here, in this closings to the EP, we also benefit from his arrangement skills and re-imagining of my original musings
West End Shore (Reprise)
No full textA version of this (composition-as-output) work from 2020 was re-worked in 2022 (by Sam Gee as co-author) and included on the mid-length album Magu Hiraeth (released in 2023).Sleeve NoteWest End Shore is a pebbled beach that sits beneath the quarry-carved most northerly peak in the mountain group Yr Eifl. It's a beach rarely visited except by those in the nearby village of Trefor, and yet it is a place where glorious sunsets over the water to Ynys Môn are common, as are sightings of dolphins and seals. And when the evening light is right, distant across the Irish sea, the Wicklow mountains haunt the horizon. It can be a peaceful place - the mood captured, I hope, in this piece - but also a wild one when the storms lash in off the sea and where, on occasion, we have quite literally been blown off our feet. The original version of this track opens this EP, and here at its close is the wonderful reworking of it by Sam Gee (who also plays sax on both versions as well as being the sound engineer for everything). Sam adds so much to all the musicking I do - from my musical lumps of clay he fashions works of great beauty, giving the very best of his own performance (listen to his sax solos on both versions of this piece for example) and bringing out the best in all the other performers. Here, in this closings to the EP, we also benefit from his arrangement skills and re-imagining of my original musings
Global intimacy and cultural intoxication: Japanese and South Korean film in the twenty-first century
No full textThis is the author accepted manuscript. The final version is available from Routledge via the link in this record.
If these walls could talk: Leonora Carrington’s psycho-spatial rooms
No full textThis is the author accepted manuscript. The final version is available from Vernon Press via the link in this recor
First Experiences with Google Earth Engine
No full textThis paper presents the first experiences of the author with GEE (Google Earth Engine). A C++ image processing algorithm, still under development, was migrated to this new environment using GEE’s web interface and the JavaScript language. The idea is to discover the problems that might arise when migrating to this environment as well as to assess the presumable performance boost that should be achieved. A reduced—more didactic—version of the aforementioned algorithm is presented in a step-by-step way along with a briefdescription of the advantages and drawbacks—from the authors standpoint—of GEE
PSYCHONET 2: contextualized and enriched psycholinguistic commonsense ontology
No full textPsychoNet 1 has demonstrated the feasibility of integrating psycholinguistic taxonomy, represented in LIWC,
and its semantic textual representation in the form of commonsense ontology, represented in ConceptNet.
However, various limitations exist in PsychoNet 1, including the lack of concluding context of the concept
annotation. In this paper, we address most of those limitations and introduce a new enhanced and enriched
version, PsychoNet 2. PsychoNet 2 utilizes WordNet, in addition to LIWC and ConceptNet, to produce an integrated
contextualized psycholinguistic ontology. The first and the main contribution is that, in PsychoNet 2,
each concept is annotated by the potential (most representative) contextual psycholinguistic categories, rather
than all applicable categories. The second contribution is the enrichment of LIWC through utilizing WordNet.
This in fact produced an enriched version of LIWC that may also be used independently in other applications.
This has contributed to substantial enrichment of PsychoNet 2 as it facilitated including additional number of
concepts that were not included in PsychoNet 1 due to lack of corresponding words in the original LIWC. A
sample application of text classification, for a mood prediction task, is presented to demonstrate the introduced
enhancements. The results confirm the improved performance of the new PsychoNet 2 against PsychoNet 1
The ATLAS Trigger/DAQ Authorlist, version 1.0
No full textThis is a reference document giving the ATLAS Trigger/DAQ author list, version 1.0 of 20 Nov 2008
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