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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Jewish immigration to pre-state and modern Israel
No full textJewish immigration to pre-state and modern Israe
Bar/Bat Mitzvah programs and Jewish identities: an Australian case study
No full textBar/Bat Mitzvah programs and Jewish identities: an Australian case stud
Holocaust denial in Australia
No full textThis paper explores the nature of Holocaust denial in Australia. It does so through a study of the beliefs and activities of the three organizations for whom Holocaust denial is a central belief: the Australian League of Rights, the Australian Civil Liberties Union (ACLU), and the Adelaide Institute. Their activities, their international ties, and their relationship with the broader racist Right in Australia is considered. The paper concludes by reflecting on the future directions and responses to Holocaust denial
The end of the rainbow
No full textThe End of the Rainbow is a documentary film about music, about community and a very special place. When the live music venue “The Rainbow Hotel” in the Melbourne suburb of Fitzroy is forced to close down publican Chickk sets out to accommodate the many musicians and customers grieving its closure with a final week of musical activity in which there is organisational chaos, dancing, laughs, beer (lots of), and great music. It is a week of celebration as musicians pay homage to mark “the End of an Era”, but it is also a statement about community places and a protest against property development at the expense of cultural heritage, specifically Australian live music. It’s also a love story with a dramatic twist..
Carnaby Street undressed
No full textCarnaby Street Undressed is a story of fashion, music and eye opening insights into London's Carnaby Street in its 1960s heyday, told by the owners of the fashion shops that defined the iconic Street, and the popular musicians who were part of the “the scene”. This includes The Who lead sing Roger Daltrey, Donovan, Frank Allen from the Searchers, Gary Leeds from The Walker Brothers, and Peter Noone from Herman’s Hermits. The film is the story of a generation that rebelled against the grey conformity of the 1950s with a cultural revolution emanating from Carnaby Street from where it spread across the globe changing fashion and music forever. This a story about a street of firsts: the first time music was played in a shop, the first time men and women's clothes were sold in the same shop, the first time there was fashion for children, the first time the national flag was used as a fashion item, and the first time clothes had colour - lots of bright colours. The film reveals the cultural, philosophical and practical background and responses to these innovations
Jewish diaspora engagement with Israel
No full textFrom the outset of Zionism, the Diaspora has had a distinct role to play with developing the homeland, raising funds, mobilizing political activity, and providing immigrants. Today, particularly since 1948, Israel continues to play an unequivocally essential role in Diaspora Jewish identity. This centrality is expressed through many areas of Jewish life, such as education, community, philanthropy, and political activism. These deepseated attachments to Israel are also evident through growing rates of aliyah, participation in Israel programs, and visits to the Jewish state. Since 1967, a time when the Jewish world was gripped by the realization that the State of Israel could be destroyed, and people were then caught up in Israel’s jubilation at her survival, Israel has been a central factor in Diaspora Jewish life and identity. Israel is seen as playing a central role in maintaining Jewish identity throughout the Diaspora. The existence of Israel is important to world Jewry, as is illustrated by the following data: 87 percent of Canadian Jewry believes Israel is “important to being a Jew”; more than 80 percent of American Jews in the 2000 National Jewish Population Survey were very or somewhat familiar with social and political events in Israel, and over 80 percent strongly or somewhat agreed that Israel is the spiritual center of the Jewish people; 81 percent of British Jews were, according to a 1997 survey, strongly or moderately attached to Israel; and 86 percent of respondents to a 2002 survey of French Jews said they felt “very close or close” to Israel. The importance of Israel in the identity of world Jewry today is manifested through various means of engagement with the Jewish State.</div
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