826 research outputs found
Moreau | VanTuinen duo
No full textSamuel AdlerAkira MiyoshiNathan DaughtreyAstor Piazzolla, arr. Danielle MoreauJohn Stevens, arr. Danielle Moreautraditional, arr. Danielle Morea
Danielle Moreau, percussion
No full textChristopher DeaneJohn CageCasey CangelosiCannonball AdderlyMcCoy TynerPaul McAfeeHorace SilverNo program receive
Danielle Moreau, percussion
No full textJohann Sebastian BachGeorges AperghisCasey CangelosiScott LindrothAlejandro Vina
The Fables: Gustave Moreau
No full textOccasional mention of Gustave Moreau and sample offerings of specific work of his did not prepare me for this revelation of the extent of his work on fables. Moreau created some 64 watercolor illustrations of La Fontaine's fables, first exhibited in 1886 and last exhibited in 1906. This present book is the catalogue of a recent exhibit at the Rothschilds' Waddesdon Manor. The book's author, Juliet Carey, was curator of that exhibit. The book, large format (9¾" x 12") and 168 pages long, gives accounts of Moreau's life, including the fable watercolors; of La Fontaine and the fables; and of animal studies by Moreau that prepared for this work. The bulk of the book is then an impressive catalogue featuring a large colored illustration of each of the 35 fables in the exhibit, starting with "Allegory of Fable," in which fable rides on a chimaera. Among the best, for me, are WS; "The Monkey and the Dolphin"; "Death and the Woodcutter," in which death is a seductive woman; and FK. The book's last pictorial section is a brief account of Felix Bracquemond's black and white etchings based on Moreau's fables. Of the many critical comments included here, the most helpful for me is that Moreau "explored states of consciousness." Moreau achieved early fame with popular works exploring mythology, e.g., "Oedipus and the Sphinx." This book is a new treasure in the collection!Juliet Care
Danielle Mingasson et Mireille Moreau-Pongy, Travail des femmes et structures urbaines. Le cas de Romans.
No full textWackermann Gabriel. Danielle Mingasson et Mireille Moreau-Pongy, Travail des femmes et structures urbaines. Le cas de Romans.. In: Études rurales, n°76, 1979. pp. 134-135
A review of flow-induced noise from finite wall-mounted cylinders
No full textAbstract not availableRic Porteous, Danielle J. Moreau, Con J. Doola
A Canonical Form for PROV Documents: Dataset Underpinning Evaluation
No full textDataset supporting:
Luc Moreau (2017) A Canonical Form for PROV Documents and its Application to Equality, Signature, and Validation. ACM Transactions on Internet Technology.
We present a canonical form for PROV that is a normalized way of representing PROV documents as mathematical expressions. As opposed to the normal form specified by the PROV-CONSTRAINTS recommendation, the canonical form we present is defined for all PROV documents, irrespective of their validity, and it can be serialized in a unique way. The paper makes the case for a canonical form for PROV and its potential uses, namely: comparison of PROV documents in different formats, validation, and signature of PROV documents. A signature of a PROV document allows the integrity and the author of provenance to be ascertained; since the signature is based on the canonical form, these checks are not tied to a particular encoding, but can be performed on any representation of PROV.</span
Three-dimensional beamforming of dipolar aeroacoustic sources
No full textAbstract not availableRic Porteous, Zebb Prime, Con J. Doolan, Danielle J. Moreau, Vincent Valea
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