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Routledge Handbook of EU–Middle East Relations
EU–Middle East relations are multifaceted, varied and complex, shaped by historical, political, economic, migratory, social and cultural dynamics. Covering these relations from a broad perspective that captures continuities, ruptures and entanglements, this handbook provides a clearer understanding of trends, thus contributing to a range of different turns in international relations.
The interdisciplinary and diverse assessments through which readers may grasp a more nuanced comprehension of the intricate entanglements in EU–Middle East relations are carefully provided in these pages by leading experts in the various (sub)fields, including academics, think-tankers, as well as policymakers. The volume offers original reflections on historical constructions; theoretical approaches; multilateralism and geopolitical perspectives; contemporary issues; peace, security and conflict; and development, economics, trade and society.
This handbook provides an entry point for an informed exploration of the multiple themes, actors, structures, policies and processes that mould EU–Middle East relations. It is designed for policymakers, academics and students of all levels interested in politics, international and global studies, contemporary history, regionalism and area studies
Bringing Social Justice and Human Rights Back In
This report contrasts how European institutional and civil society stakeholders “talk and practice” the Mediterranean into being. Based on extensive stakeholder consultations, it tends to confirm the finding of MEDRESET Work Package 1, namely that EU institutions construct the Mediterranean through three discursive practices: the Mediterranean as a space crucial for EU interests, as a dangerous space and as a diverse geopolitical space. In stark difference to this institutional imaginary, European civil society and grassroots actors are constructing the Mediterranean space through three different discursive practices, namely the Mediterranean as a space in which universal values are being violated; as a space that is economically, but not geopolitically or ideationally, dominated by the EU; and as one where civic space is shrinking and xenophobia, authoritarianism and “wall politics” are prevailing. To rebuild an equal Mediterranean space and a flexible, inclusive and responsive EU role in it, European stakeholders suggest two policy alternatives: a policy of social justice and human rights, and a policy of reconciliation
Decolonising (Knowledge on) Euro–Mediterranean Relations: Insights on Shared Histories and Futures
Ten Years of Protests in the Middle East and North Africa. Dynamics of Mobilisation in a Complex (Geo)Political Environment
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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